As none of you are currently aware, I just finished rereading Fyodor Dostoevsky's Notes from Underground. It is and shall remain one of my favorite books of any genre. For the longest time I was never able to say exactly why. It resonated with me, certainly; I could relate to the corrosive, self-deprecating tailspin of insecurity and the crippling, isolating lack of self-confidence. (It was the hallmark of my school years—where, like Dostoevsky's unnamed protagonist, I looked upon my ant-brained classmates and their crude ambitions with disgust.) But thanks to Dostoevsky's evocative style, and the quality translation which preserved it, Notes from Underground interested me—compelled me—far more than any other work I read in school. The exact reason eluded me.
Then, on this third reading, more than six years after I first laid eyes on the novel, it hit me.
Dostoevsky hit the nail on the head.
He exposed a universal but uncomfortable truth.
With the jolting truthfulness which no other work has achieved so bluntly and plainly, Notes from Underground lays bare a portion of the human psyche which absolutely rules human interaction and individual ego. And yet, it is the most secretive, skulking, shameful part of us. It imparts a need unto our consciousness which we staunchly deny in public, but furtively—even subconsciously—seek to assuage.
And that need is, simply, the need to be recognized as a worthwhile human being. No, not even recognized—simply acknowledged.
This is not the weirdest thing I want to tell you about tonight, though. It does have something to do with acknowledgement, rest assured. Listen to this:
I have not yet met the director of the academy where I work.
Weird, right? I've been there four months and I've only seen the guy in the corridors, or ensconced in his office. Mr. Rah is his name. At my first
hagwon, the director, Mr. Hwang, met me at the airport, introduced himself, and did everything in his power to make my stay more comfortable. In the present day, Mr. Rah can't even be bothered to introduce himself or ask me how I'm doing. It makes a person feel mighty insignificant, let me tell you. I mean, I realize I'm not much more than chattel as far as he's concerned. I'm a warm body. A brain that know English. A mouth that can teach Korean children. A foreign name Mr. Rah can slap on a newsletter and send to potential customers.
Still, being
reminded of that fact is unpleasant. Nay, cankerous.
Two weeks ago at work, Mr. Rah and I had...an encounter. You can't really label it as anything else. It was not a conversation, or even an exchange. The bell had rung for third period. I got up from my desk, grabbed my teaching materials, and sauntered into the hallway. Approaching me down this hallway was Mr. Rah himself, strolling along as though he owned the place. His mouth was set in a firm line. His thick body dominated the narrow space. His idle gaze swept the corridor. Our eyes met. There was no one behind me. We were alone in that passageway. The squeals of bleating children, the thunderous beat of their sneakers and sandals as they charged in through the main entrance, submerged into a pool of silence. The moment stretched into infinity.
With an internal monologue that would've made
Notes from Underground's protagonist proud, I wondered what to do. I had been told that it was respectful to bow to Mr. Rah (in the Korean fashion, with a swift jerk of the head) upon seeing him. He was the Great and Beneficent Director and all. My mind and spirit rebelled against the idea. Why should I pay him his due as my employer, when he had done nothing to formally accept
me as his employee? What did I owe him? "One good turn deserves another," they'd readily cry at me, but what if the inception of that goodwill is lacking altogether?
And, of course, I decided to comply. I lowered my head to him. I gave an almost spastic yank of my neck. My reluctance must have been painfully obvious. But I did it. Why not? After all, it couldn't hurt. It would force him to acknowledge me. He'd see my show of respect, the extension of goodwill, a selfless act of international cooperation. He'd be compelled—no,
forced—to reciprocate. I knew the Koreans by now. They were bound by such laws as these. A cockroach living in Mr. Rah's pantry, eating his rice, could've jerked its head at him, and he would have been forced to bow back, just to calcify the relationship between benefactor and beneficiary. To have left such a gesture unanswered would have been unthinkable, anathema, contrary to millennia of cultural norms.
He didn't bow back.
Far from it. When my head came back up, his eyes had slid away from me, and were pointing purposefully down the hall, already forgetful of my presence. I might have been a dust mote wafting through the air. I was reminded, jarringly, of Aesop's story of the gnat and the bull. But then came the crowning humiliation. Without once looking over at me, Mr. Rah lifted his index finger and made a sort of twirling, hurry-up motion with it, indicating that I was loitering in the hallways and needed to get to class. The bell had rung mere seconds before. I was in the hallway, in the very act of stepping toward Room 203, materials in hand. And yet I received the "get to class, thou sluggard" treatment.
I stood there for perhaps 5-10 seconds, stunned beyond belief. My mind had caved in. I could not conceive of it. The nerve! The impoliteness! The callousness! How rude! How crass! How impolitic!
And here is where I
really channeled Dostoevsky's underground man again. Outwardly, I remained calm. Inwardly, I gnashed my teeth, foaming at the mouth in fury. I squirmed like a worm stuck with a pin. It was too much to bear. I hadn't been insulted; I had been ignored, which was a million times worse. If he'd stuck out his tongue at me as he'd passed, I'd have branded him a loony and contentedly passed the remainder of the day. But being ignored was indigestible, insoluble. I felt like hurling my books at him. Mentally, I stuck out my foot and tripped him as he walked past. I spat on him, hurled invectives at him, plotted the sweetest and vilest of revenges. I even went so far as to ask my coworkers in the staffroom whether intensive courses were voluntary or not. (Intensives, which will take place in August, mean an extra round of morning classes for us, as we metamorphose for a time into a full-blown cram school.) Upon learning that they were, I thought "Hang them! And hang Mr. Rah! I'll take a vacation that week!"
Later, over beers with my friends that night (again channeling the underground man) I calmed down. I mellowed out. In fact, I felt as though I had overreacted (and later regretted feeling this way, and gnashed my teeth again). I was persuaded to believe that Mr. Rah was an odd duck, who took funny turns, and liked to twirl his hands and snap his fingers when the mood took him. Perhaps he was strolling the halls with a sort of restrained but barely-containable jollity about him. I must have tweaked his sensibilities, triggered a reaction, loosened a brick in the emotive dike, and coaxed some strange gesture of gaiety from him. Later, when the beer had worn off, I saw that this was hogwash. One doesn't twirl his fingers with a deadpan expression on his face. Innocuous his gesture may have been, but it made me mad. It wasn't just a personal slight. I sensed some monstrous injustice in his actions, a base incorrectness, a gross discrepancy between zeitgeist and reality. With a wave of his hand, the director had epitomized the callous Korean (nay, Asian) corporate mindset, which holds that people on the lowest rung are mere bugs compared with the executives. They can be bullied, coerced, taken advantage of, and ignored in equal measure.
Miss H and I took a night cruise along the Han River last evening. As the ferryboat slid under bridges and past the twinkling lights of Seoul (one of the most intentional cities on Earth, as Dostoevsky might have written), we had occasion to meet an American couple. I'll call them Betty and George. They lived in Daegu, and taught at the U.S. military base. Betty had run a half-marathon in Seoul that morning, and George was part of a jazz ensemble, and played concerts and gigs around Korea. Still stung from my encounter with Mr. Rah, I asked George for his opinion of his employers and managers. Did they treat him like a commodity, or like a person? His answer gave me food for thought. He said that the greatest obstacle to proper business relations was the language barrier. The more English the Korean speaks—or the more Korean the foreigner speaks—the more human the relationship. Frostiness becomes friendliness, impersonality fades away, familiarity breeds cooperation and harmony and companionship. Learning the languages, he said, did wonders to improve the interrelation between employer and employee.
To that end, I have resolved to learn Korean to the very best of my ability. I'll lay in wait. I'll let Mr. Rah cruise along, master of his domain, comfortable in his position and his superiority. Then I'll rattle his cage. I'll knock the foundations out from under his castle. I'll be Dostoevsky's underground man, dressed in his finest clothing, going to slap Zverkov and challenge him to a duel. I'll invite myself into Mr. Rah's office, plonk myself down in a chair (maybe even
his chair) and say, in flawless Korean, "Howdy boss-man, what's the good word today? You don't know me, because you've never bothered to meet me, but I'm one of your employees. Don't you think it's about time we had a confab and got to know each other?"
And, just like the underground man, I will probably never do it.
That's why I like
Notes from Underground.
