Hokkaido diary: the 65th Sapporo Snow Festival

In one of the many cut-rate sci-fi adventure stories I read as a youth and continue to read to this day (this one was On Earth As It Is In Hell, an officially-licensed Hellboy novel by Brian Hodge), a defeated villain defiantly tells the hero: "Do you know why you'll always lose, in the end? Because what you consider victories are such small things."

Going to the Sapporo Snow Festival reminded me of that quip, for some reason. It just impressed me how something that started so small—a pack of enterprising Hokkaido University students building modest snow sculptures in Odori Park in central Sapporo—blossomed into an annual world-famous festival that attracts over two million foreign tourists per year.

This year I was one of them. Here's my diary entry for that day: 

2/5:

10:32 a.m. Nice long sleep-in. At Kita-12 jo waiting for the train. Hardly anybody here. Is it because I'm used to Seoul, which is always a zoo, or because of the festival? The 65th Sapporo Snow Festival starts today, and I am heading first to Odori Park and then to Susukino to take in two-thirds of it (the other third is up in Tsudome, near Asaba, way up north, but I'm prioritizing). 

It's STILL snowing. Must have snowed all night. Light snow, heavy snow, light snow again. The only time it hasn't snowed was the bright sunny first morning. Wow. Not sure how easy it'll be trying to wrangle an umbrella AND a camera in this weather, but I'll try.

1:07 p.m. What I was praying for happened. At 11 or so, 30 minutes after I arrived at Odori Park, the sky cleared. The snow stopped.

Hokkaido scallop, ¥500. Good deal. 

Crab soup, also five hundred yen. Three kinds of crab!

I got some great pics and then strolled south to Susukino to see the ice sculptures.

 

That there may be no speculation...those are real fish.

Now they're just making me hungry...

Now I'm standing outside of Sushizanmai (which looks packed to the gills) and memorizing the menu. I want the Uruoi Sushimori Special, which has herring roe, boiled prawn, salmon roe, red tuna, white stuff that could be squid or flounder, red snapper, and six other things besides. Great place—the waitresses bustle and flit about in blue blouses, white aprons, black stockings and buckled shoes, while the chefs flay away at the fish, egg, and seaweed with their long, thin knives, shouting hearty hellos, goodbyes and thank-yous to the patrons coming and going. The tea is hot and the atmosphere warm in more ways than one.

You could immediately tell the difference between this and any other cut-rate sushi joint—fresh, tender ginger, moist rice and succulent seaweed. Eating the herring roe was an interesting experience—it had the color and texture of an orange slice. The miso soup with prawn heads was a lovely counterpoint. The sea urchin roe had the consistency of apple butter. There was also sardine, sea eel, and albacore tuna, plus shellfish. One of the red fish—either mackerel or red tuna—simply melted in my mouth. A feast. 

3:00 p.m. Sitting in the Hokkaido University Museum. Made a brief but futile stop at the gift shop for souvenirs. Pole Town (an underground mall between Odori and Susukino Stations) was a bust, too. Speaking of busts, I'm going to go see William Clark's now.
"Boys, be ambitious!" 

3:41 p.m. Just sent off the postcard to my folks at Sapporo's big blocky grey post office, east of the station. I'm lucky everything is so close together in this town. I think I'll hit the station on the way back to the hotel in one last-ditch effort to find souvenirs. 

5:32 p.m. Darkness has fallen. My last day in Sapporo is over. I'm ready to be gone, but I am a bit sad. I found no souvenirs—not in the station, nor Tokyu Department Store, nor anywhere else. All that's left is to get some chicken kebabs (yakitori) and beer for dinner, pack my bags and go to bed early. 

7:28 p.m. ADDENDUM. I had a peek in the yakitori place and discovered it was actually an izakaya—and the prices weren't nice. So I stumped a bit further south and found something that wasn't crowded, noisy, or overpriced—Beer & Coffee Venison. The name isn't poetic license—they serve deer meat. So I went on in. The light was low, coming from a line of glass globes over the wooden bar, every other one of which had the names of various Scotch whiskies written on it in multicolored marker. Lots of dark wood and white stucco-like walls, interspersed with tables and chairs with cross-shaped holes in the back (plus fully-antlered deer skulls on the walls and old coffee grinders and tea tins on the shelves) completed the rustic ambience [sic]. Behind the bar were two men: one elderly and thin, severe in demeanor, wearing a tie and black waistcoat and apron, with a beige wool-knit cap which clung to his bald pate like a yarmulke. The other man was likewise in a dark suit (with a fleece jacket flung over it) but was young, handsome, and energetic. He drummed his fingers on the bar in time to the jazz playing on the stereo (Colin Stranahan and Lloyd Miller), and buzzed about snipping labels or sterilizing glasses. The place had a bewildering collection of empty beer bottles in the window and quite a few in the fridge, Negra Modelo, Old Tom, Stone IPA and Löwenbräu among them. The Scotch selection, though extensive, tended to favor Islay and Highlands single malts, I noted. 

I sat down and ordered some venison sausage and a ¥500 glass of Heartland (a European pale lager made by Kirin, with a fine flavor and a delicious creamy head). I nibbled on Hokkaido potato salad and sliced pickles (and later the sausage and some fresh fruit) while the younger barkeep and I attempted a conversation. His name was Kei, and he loved jazz. It was he who manned the Toshiba laptop above the bar and chose tune after syncopated tune. I sensed rather than knew—for he spoke as little English as I did Japanese—that he was a student at Hokkaido University and that this was his part-time job, and that he longed to escape from pulling pints and pouring whiskey and escape to Tokyo (or perhaps even New York) and found a jazz trio. We talked as much as we were able. I sipped beer. The old proprietor washed up or stared into space. I felt the weight of my impending departure weigh heavily upon me. It was an introspective moment—the old man in his wool cap behind the bar, arms folded, staring at the empty room; Kei drumming his fingers, nodding his head and gazing at the computer screen; and me with a cleaned plate and a sweating beer glass in front of me, eyeing the collection of whiskey bottles in their glass cabinets, thinking about getting up at 4 a.m. tomorrow and feeling simultaneously warm and content yet lonely and restless. 

I got up, paid, snapped some photos of the bar and its stewards, bowed low, and left. I bought a crap-ton of food at the convenience store for tomorrow's 18-hour journey—onigiri, bento, salad, coffee, beer, apples, and even something which looked suspiciously like kimchi. All I have to do now is pack my bags and await the dawn.