Fox Broadcasting can go pound sand

It's Blade Runner-slash-every
buddy-cop drama ever!
What's not to like? 

This is not a political rant. I don't give a split fig about Rupert Murdoch or Bill O'Reilly or what all the puffed-up bubble-headed self-important liberal college professors and community organizers refer to as "Faux News."

No, my beef is with the television executives who sit around in board meetings and decide to cancel my favorite TV shows.

It's been recently announced that the science fiction police procedural Almost Human, which aired last fall, won't be picked up for a second season.

This is the same depressing news that I got in 2012 when I heard that Terra Nova had been canceled, and the same monstrous injustice I and the other Firefly fans who came late to the game execrated when we learned that this fantastic show consisted of just 14 episodes.

Thank goodness Marvel's Agents of S.H.I.E.L.D. is on ABC, and is therefore safe from Fox's meddling, or I might have a complete psychotic breakdown.

Seriously, what gives? This is becoming such a trend that "Screwed by the Network" and "The Firefly Effect" have become official tropes. To quote from that life-stealing wiki, "Incidentally, many of these [canceled] shows (including Trope Namer Firefly) were on Fox — basically because Fox was likely to give the sort of show that gets this effect an initial run, but tended to be too Nielsen-sensitive to be patient."

Let me repeat that for you:

Too Nielsen-sensitive to be patient.

That's gotta be it. The ladder-climbing, insecure little weasels (I'd say "network executives," but that would be redundant) over at the Fox Broadcasting Company are so obsessed with making themselves look competent and keeping their stock high — in more ways than one — that they'll cancel a brilliant show if the Nielsen ratings are anything less than stellar.

Now, I know what you might be thinking, particularly if you're like everybody else on the face of the freaking Earth and think Almost Human and Terra Nova were terrible shows. (If you do, then what are you doing here? You should be pounding sand, too.)

You're thinking, "Where's the injustice in that? Almost Human didn't have good ratings, so it was canceled. QED."

Ratings aren't that simple, buster. Evidence suggests that Almost Human's ratings were out of its control for half its run. Firefly's doom was spelled out when Fox aired its episodes out of order and inexplicably stuck it in the "Friday night death slot." Terra Nova had 10.8 million viewers and a 3.6 rating, but the execs were worried about the price tag, and they also (wrongly) believed that a mid-season addition called Touch would be the next big hit.

It's Lost with dinosaurs! What's not to like??

I'm not a critic. I'm not going to launch into a big long spiel about why these shows are lost treasures. I'm not going to tell you how Terra Nova was "unlike anything else on TV," and that it "found its creative legs late in the season" (the article I linked to previously does that quite eloquently). I won't mention how Almost Human was just what the doctor ordered, a by-the-book police procedural with a lighthearted, humorous undercurrent, with the added zest of its dystopian-but-somehow-still-gorgeous futuristic backdrop. I have no need to declare Joss Whedon's script-writing talents godlike, and that the cinematography, dialogue, acting and story of Firefly are second to none. That's been said before by irate fans and gushing magazine columnists the world over. 

It's cowboys/Civil War veterans IN SPACE! What's not to like???

Almost Human and Terra Nova have their shortcomings, I know. The special effects and the acting aren't perfect. Pacing, characterization and story are sometimes lackluster. Everyone I know at my workplace and on Facebook loves to point out how shoddy, unengaging, static, formulaic, boring, unbelievable or artificial they are, with flat characters, unsatisfying stories and flawed concepts. But as the Guardian's pithy Glaswegian Graeme Virtue points out, the first seasons of these shows are like "the early, rough-and-ready EPs of your favourite band." Yeah, sure, the lyrics are canned and superficial, the garage-band sound is fuzzy and inexpertly mixed, the guitarist's fingers are still bleeding and the drummer hasn't found his rhythm yet, but isn't that the fun of it? Getting in on the ground floor? Liking a band because of that raw, pristine concept, the fundamental sound down deep beneath those shaky riffs and uneasy vocals? Following them while they mature into the next KISS or Zeppelin or Floyd? Watching them find their cadence, their vibe, their niche, and fill it out like a piece of loose clothing they're growing into?

That's been one of the joys of watching Marvel's Agents of S.H.I.E.L.D. Yeah, sure: it was soulless early on. A lot of people tried watching it and quit in disgust. But if they'd had the patience (unlike your average Fox network executive) to stick with it, they'd have discovered a true wonder: a flower blooming, a vine twirling its way around a beanpole, a seaweed-strewn ship emerging from its watery grave where once only the rotting, sun-bleached mastheads were visible. Watching M.A.O.S. get into its stride, establish its characters and its world and then cut loose like a slipshod stallion kicking his way out of a barn has been...well, a real kick. It's probably true that you have to be a fan of the Marvel Universe (or at least Agent Phillip Coulson, or at the very least Clark Gregg) to like the show. And you have to sit through those awkward first few episodes wherein the groundwork is laid. But then the show gets its hooks into you. Firefly and Almost Human did it during their pilot episodes, and Terra Nova managed it in the season finale.

It's just a travesty that these three shows will never have the chance to revel in the worlds they worked so hard and long to build, thanks to the pusillanimous, apple-polishing, money-grubbing swine at Fox.

That, ladies and gentlemen, is called injustice. And it's also the reason that television sucks so hard in this day and age.

Rant over.