Ace wants to see my full manuscript

We interrupt the tales of my travels through Southeast Asia to bring you a world-shaking update: 

As frequent followers of this blog are aware, I sent an e-mail query to Ace Science Fiction, America's oldest continuously operating sci-fi press (though it has since been acquired by and become an imprint of the Penguin Group, one of the "Big Six" of American publishing houses). I sent them a synopsis of my first novel, Revival, and the first ten pages of the manuscript copied and pasted into the body of the e-mail itself. Ace & Roc's website — which has since disappeared, I've noticed — made it clear that the reporting time for unsolicited, unagented queries was five months. I marked the calendar for June 29, 2014. 

That date came and went and I heard nothing. Undaunted and unsurprised, I sent the manuscript — the whole thing this time, as per instructions — off to Baen Books on June 30. Their reporting time, seeing as they accept manuscripts rather than mere queries, is a whopping 12 months. I settled in for a long wait and buckled down to enjoy my trip through Southeast Asia. 

Then the bombshell came whizzing in on Wednesday, August 27. An e-mail from Ace Science Fiction popped up in my inbox: 

Dear Mr. Post,

Thank you for submitting Revival to Ace/Roc. I apologize for the delayed response; as you may imagine we have many queries to go through and not much time to go through them. I enjoyed your sample and would be delighted to look at the full book. Could you please send me the full manuscript as a word document?

Thank you!

The Editorial Staff

Ace / Roc Science Fiction & Fantasy

I blinked. The world seemed to be falling away from me. The rattling cicadas in the trees in the parking lot thirteen stories below died away into silence. The rattle and bang of trucks on the main road vanished. The screams and shouts of children on the playground turned into popping soap-bubbles. I called Miss H in from the other room so she could read the e-mail and assure me that I wasn't seeing things. Her face lit up like a sunrise in low orbit and she gave me a huge hug, words of love and encouragement dropping from her sweet lips. I just sort of sat there like a buffoon and soaked it all up. You may rest assured that my manuscript in its entirety was sent off within the next few minutes. 

Now it's a waiting game again. I have no idea how long it'll take Ace to read through all 571 pages and 114,500 words of my novel. They haven't accepted it, I know, but I'm still psyched beyond words. Just to have them express this amount of interest rather than issuing me a flat rejection is...tremendous. And Penguin Books, no less! I must have done something right, right? 

I can't help but hope that all those agonizing, soul-rending hours (years, really) that I spent crafting and editing this novel are finally paying off. I wasn't just monkeying around. Honest. 

Lise Gagne/iStockphoto

Wish me luck, folks. You'll be the first to know when I get the news...good or bad. 

writing updates, 5/14/2014 + sci-fi art, entry #4

This post is all about my scribbles, yes, but since I write science fiction, it's a good place to give you some more sci-fi art. So here you go:

Now, on to the meat of the matter.

June 29 is the day that's circled on my calendar. On that day, it will have been exactly five months since I submitted a query to Ace & Roc Science Fiction & Fantasy, imprints of the Penguin Group. I'll know for sure by then if Penguin is interested in my novel or if they aren't. If the latter is the case—and their continued silence indicates to me that it is—then I have a backup plan. 

Baen Books, a renowned sci-fi press, doesn't just accept unsolicited queries: they accept unsolicited manuscripts. I checked their submission guide and it seems they prefer works between 100,000-130,000 words. Mine is 114,000. They prefer a simple style and judge works primarily on plot and characterization, and if it's one thing my work is oozing with, it's plot and characterization. My style is simple, with a few sesquipedalian terms scattered in here and there (crucial to the plot, of course). Baen also offers "competitive" payment rates. Vague wording, yes, but then Ace & Roc didn't breathe a word about payment at all. 

The only downside is that the "reporting time" (response time) is 9-12 months. Ouch. 

Well, can't win 'em all. As Baen sheepishly admits, they get a lot of manuscripts. So I'd basically have to wait until next April or possibly next July to find out if Baen wants to publish my baby or not. Miss H and I shall be gone from Korea by then, and hopefully installed in a tasteful, spacious two-bedroom apartment in Henderson, Nevada and engaged upon entry-level jobs with wondrous prospects, blabbity blabbity blah. 

At least I have a timeline. 

No joy yet on the short fiction front. Daily Science Fiction is considering my 1,100-word short story "Boxing Day," which I submitted on May 2. I expect a reply within a fortnight. 

In the meantime, to keep myself busy, I've conducted yet another full-blown proofread-and-line-edit of Novel #1. Gawd, this feels like the zillionth one I've done, and it probably is. When I finish I'll do the same thing to Novel #3 (not for the first or the last time) and then following that I'll finish Novel #4. (Novel #2, as you'll recall, is a work of historical fiction unrelated to my humongous sci-fi opus). I really want to get started on Novel #5 before the year's out. That one's going to be fun. I've been taking long walks and brainstorming it for a long while now and I've had some spectacular ideas, wheezes which will keep the fans happy and my fingers busy. 

As for nonfiction, well...Korail just instigated another scenic train route. You remember how I told you about the O-Train and V-Train? Well, those were so successful that they started up another sightseer, the S-Train, down in the southern part of the peninsula. There's talk of G- and B-Trains to travel up the east and west coasts of Korea as well. But the big one is the DMZ-Train, which...well, I don't know much more about than you do. But I do know that the end of the line is the infamous Dorasan Station, a fully-equipped and squeaky-clean yet abandoned and ghostly whistle stop. It's the last one before the DMZ, and the railway line stretches on emptily into the distance, a high road to nowhere. It was part of the USO tour that Miss H and I did in 2012. It'd be cool to roll up to it in an actual train, though, and see the countryside in between Seoul and the DMZ. Dorasan Station was built during a rare period of amity between the two Koreas and was intended to serve as a gateway for trade and industry (and perhaps passenger service) between Seoul and Pyongyang, but the creeping enmity between the two nations killed the dream and left the station derelict. I imagine I could write a pretty travel article about a ride on the DMZ-Train and submit it anywhere I liked, using some of the vivid imagery and florid prose for which I am renowned. 

Oh, and I imagine the big Z-shaped train trip I'm taking through Vietnam, Cambodia, Thailand, Malaysia, and Singapore this summer (not to mention the week I'm spending in Hong Kong afterward) would be fine travel-journalism fodder too. 

So. That's where I am. 

Wish me luck. 

Fox Broadcasting can go pound sand

It's Blade Runner-slash-every
buddy-cop drama ever!
What's not to like? 

This is not a political rant. I don't give a split fig about Rupert Murdoch or Bill O'Reilly or what all the puffed-up bubble-headed self-important liberal college professors and community organizers refer to as "Faux News."

No, my beef is with the television executives who sit around in board meetings and decide to cancel my favorite TV shows.

It's been recently announced that the science fiction police procedural Almost Human, which aired last fall, won't be picked up for a second season.

This is the same depressing news that I got in 2012 when I heard that Terra Nova had been canceled, and the same monstrous injustice I and the other Firefly fans who came late to the game execrated when we learned that this fantastic show consisted of just 14 episodes.

Thank goodness Marvel's Agents of S.H.I.E.L.D. is on ABC, and is therefore safe from Fox's meddling, or I might have a complete psychotic breakdown.

Seriously, what gives? This is becoming such a trend that "Screwed by the Network" and "The Firefly Effect" have become official tropes. To quote from that life-stealing wiki, "Incidentally, many of these [canceled] shows (including Trope Namer Firefly) were on Fox — basically because Fox was likely to give the sort of show that gets this effect an initial run, but tended to be too Nielsen-sensitive to be patient."

Let me repeat that for you:

Too Nielsen-sensitive to be patient.

That's gotta be it. The ladder-climbing, insecure little weasels (I'd say "network executives," but that would be redundant) over at the Fox Broadcasting Company are so obsessed with making themselves look competent and keeping their stock high — in more ways than one — that they'll cancel a brilliant show if the Nielsen ratings are anything less than stellar.

Now, I know what you might be thinking, particularly if you're like everybody else on the face of the freaking Earth and think Almost Human and Terra Nova were terrible shows. (If you do, then what are you doing here? You should be pounding sand, too.)

You're thinking, "Where's the injustice in that? Almost Human didn't have good ratings, so it was canceled. QED."

Ratings aren't that simple, buster. Evidence suggests that Almost Human's ratings were out of its control for half its run. Firefly's doom was spelled out when Fox aired its episodes out of order and inexplicably stuck it in the "Friday night death slot." Terra Nova had 10.8 million viewers and a 3.6 rating, but the execs were worried about the price tag, and they also (wrongly) believed that a mid-season addition called Touch would be the next big hit.

It's Lost with dinosaurs! What's not to like??

I'm not a critic. I'm not going to launch into a big long spiel about why these shows are lost treasures. I'm not going to tell you how Terra Nova was "unlike anything else on TV," and that it "found its creative legs late in the season" (the article I linked to previously does that quite eloquently). I won't mention how Almost Human was just what the doctor ordered, a by-the-book police procedural with a lighthearted, humorous undercurrent, with the added zest of its dystopian-but-somehow-still-gorgeous futuristic backdrop. I have no need to declare Joss Whedon's script-writing talents godlike, and that the cinematography, dialogue, acting and story of Firefly are second to none. That's been said before by irate fans and gushing magazine columnists the world over. 

It's cowboys/Civil War veterans IN SPACE! What's not to like???

Almost Human and Terra Nova have their shortcomings, I know. The special effects and the acting aren't perfect. Pacing, characterization and story are sometimes lackluster. Everyone I know at my workplace and on Facebook loves to point out how shoddy, unengaging, static, formulaic, boring, unbelievable or artificial they are, with flat characters, unsatisfying stories and flawed concepts. But as the Guardian's pithy Glaswegian Graeme Virtue points out, the first seasons of these shows are like "the early, rough-and-ready EPs of your favourite band." Yeah, sure, the lyrics are canned and superficial, the garage-band sound is fuzzy and inexpertly mixed, the guitarist's fingers are still bleeding and the drummer hasn't found his rhythm yet, but isn't that the fun of it? Getting in on the ground floor? Liking a band because of that raw, pristine concept, the fundamental sound down deep beneath those shaky riffs and uneasy vocals? Following them while they mature into the next KISS or Zeppelin or Floyd? Watching them find their cadence, their vibe, their niche, and fill it out like a piece of loose clothing they're growing into?

That's been one of the joys of watching Marvel's Agents of S.H.I.E.L.D. Yeah, sure: it was soulless early on. A lot of people tried watching it and quit in disgust. But if they'd had the patience (unlike your average Fox network executive) to stick with it, they'd have discovered a true wonder: a flower blooming, a vine twirling its way around a beanpole, a seaweed-strewn ship emerging from its watery grave where once only the rotting, sun-bleached mastheads were visible. Watching M.A.O.S. get into its stride, establish its characters and its world and then cut loose like a slipshod stallion kicking his way out of a barn has been...well, a real kick. It's probably true that you have to be a fan of the Marvel Universe (or at least Agent Phillip Coulson, or at the very least Clark Gregg) to like the show. And you have to sit through those awkward first few episodes wherein the groundwork is laid. But then the show gets its hooks into you. Firefly and Almost Human did it during their pilot episodes, and Terra Nova managed it in the season finale.

It's just a travesty that these three shows will never have the chance to revel in the worlds they worked so hard and long to build, thanks to the pusillanimous, apple-polishing, money-grubbing swine at Fox.

That, ladies and gentlemen, is called injustice. And it's also the reason that television sucks so hard in this day and age.

Rant over.

fiction vs. science fiction

On Friday I spoke to my mother on the phone for the first time in four months. We're not estranged or anything; far from it. I'm just a horrible son, even when you don't apply the Confucian lens. We talked around Christmastime and...well, the time just slipped away. Life intervened. The trip to Sapporo, the move to Gangnam, and all that jazz. It's hard for me to remember that I have to contact her; she has no way of contacting me (I call my parents via Skype, but they have a land line).

Anyway, Mum said something interesting, as she always does. We were discussing my younger brother, a young actor in Hollywood searching for his big break, and how a big-name studio asked him and his crew to do a short film. You can catch some snippets of it here, if you don't mind strong language. (He's on IMDB, too.) That dark-haired fellow with the Mel Gibson looks and the chip on his shoulder and the what-the-hell-are-you-talking-about expression on his face is who I grew up with, folks. 

Anyway, I finally managed to inform my mum that I've submitted my first novel to Penguin Books, and am awaiting a reply. Among the many pithy observations she made was that my brother and I have both chosen extremely tough and competitive careers, and we are both on the threshold of success (she's great with the encouraging comments). It gave me pause. She was right in more ways than she knew. Not only have I decided to make my name in fiction, but science fiction to boot. The requirements of the genre are a bit more stringent than mainstream fiction. I don't mean to imply that mainstream fiction is a cakewalk or anything like that. Not at all. To be a writer in any genre requires patience, skill, practice, a certain degree of natural talent, patience, confidence, dedication, and hard work (especially the last one). It's not much different from being an actor in that respect. That was my mum's whole point. 

But to be a sci-fi writer you need all that and more, I've realized. First, you have to understand the fundamental ways in which technology, science and progress affect human lives. You have to see the human story behind the inhuman gadgets and gizmos. You must march to the same fife as a mainstream fiction writer by composing a compelling story, a tale of ordinary human (or inhuman) beings in challenging situations, relatable characters with the same age-old problems, seasoning the tale with conflict and drama and triumph and failure and character development, not forgetting correct pacing and florid language and all the other ingredients which fiction is heir to; but that ain't all. Into the fabric of fiction you must weave the scintillating threads of the fantastic. You must wed your human story to the extraordinary technology of the future, the advanced science of impending ages, the limitless world of wonder that lies beyond the borders of imagination. One e-zine I've submitted to won't even consider a manuscript unless it's "a good character-driven story wherein the technology is so vital to the plot that the narrative would be indelibly altered were it absent." 

And that, ladies and gentlemen, is what I consistently fail to do. 

Writing is like herding cats. Staying on top of what every good story needs—plot, pacing, vivid characters, sizzling prose, universal mores—while trying to throw in the novel aspects of science fiction like mind-blowing tech and aliens and starships and whatnot is...challenging. It's rather like trying to cook a four-course dinner. You're boiling the pasta and stirring the sauce and grating the cheese and pounding the breadcrumbs, and just as finish you realize that you've let the mushrooms (which were supposed to be lightly sautéed) burn to ashes in the skillet. Despite your best efforts, the meal leaves a carcinogenic taste in the mouth of anyone who eats it. That, apparently, is what my stories are doing to the editors at Asimov's, Analog, and Daily Science Fiction. I haven't sold a story yet. 

But at least I know what I'm doing wrong. The trick is that happy marriage of the unreal and imaginary to the tried-and-true fictive formula. I haven't had much success combining memorable characters, fantastic settings, incredible technology and a classic plot into one single story, but I'm getting better. Like anything else, all it takes is practice. You have to get a feel for it, and I can feel that I'm getting a feel for it. Enough to realize that some stories need to be aborted before I waste time and energy on them (such as the idea I had while shopping with Miss H last weekend, "Incheon Airport Post-Rapture"—ha!). 

I can write good stories, and I can dream up good sci-fi concepts, but getting the two to merge in my brain and slide all the way down through my arms and fingers to the keyboard is another matter. 

Tomorrow is Wednesday, my day off. I'll see what I can do about it then. Wish me luck. 

flexing the "write" muscles

Though I crammed a lot of books into my suitcase before I left for Korea in February 2012, I've gradually come to realize that I didn't bring nearly enough. I don't know what possessed me to leave my unread copy of The Idiot; but I did, and I'm intellectually poorer for it.

There were some nonfiction works I shouldn't have left behind, either. One of them was The 3 A.M. Epiphany: Uncommon Writing Exercises by Brian Kiteley. Kiteley, a novelist and writing teacher, makes a big promise with that "uncommon" part in the title. But, as one Amazon reviewer states, "he lives up to it." What little I remember from skimming through it last February was promising. They were, indeed, uncommon and thought-provoking activities. I wish I had that book with me now. My prose could use some more pizzazz.

That said, I'm being more productive. I recently finished that big overhaul of the novel that I embarked upon so many months ago, and I am currently about 5,000 words into my current WIP (which is Novel #2 in the same series). Miss H is my beta reader for Novel #1. I'm nervous but excited. It's finally ready for her eyes. I don't feel ashamed anymore.

...but I am ashamed of how lax I've been with my travel writing career.  I haven't sold anything in over a year. But hope is on the horizon, even as trees leaf out and flowers bloom in Olympic Park. When the weather warms up, the sun climbs high and Spring rears her lovely head, Seoul starts effervescing with parties and events. Case in point, I'm heading to the Spring Beer Fest in Itaewon on May 4, and I'm super jazzed. Mass-market Korean beer has driven me to distraction. I'm beyond ready to sample the best suds this country's microbreweries and home-brewers can dish up. I'll have my old Geordie friend Adam (from Geoje Island) beside me, so he and I will paint the town on Saturday afternoon. YEAH!

...the practical upshot of this is that I'll get a humdinger of a travel article out of it. I just need to find a beery magazine to publish it in after the dust settles. Trust me, I'm researching markets as you read this.

And now I'll leave you with a little something. I wrote it early last year, before I left for Korea. I was involved in a writing workshop with a poet, musician and writing teacher (the mother of one of my old high school buddies). This is one of the things which it produced. It was a writing exercise in which we...um...in which we...

You know what? I've completely forgotten what the point was. Perhaps it was to choose a characteristic and then create a character based on that characteristic. Perhaps it was to choose an important piece of information about a character, but keep it concealed from the audience until the very end. Whatever the assignment's original intent, I've reproduced my response for you below. Enjoy.

CHARACTER STUDY #1

     The sun beat down upon the hard, dusty earth.  The air was dry enough to suck the juice out of any living thing, and was hotter than hell to boot.  Not a breeze disturbed the arid landscape, with its piles of white-hot rocks, the waterless streambeds, the stiff and desiccated plants.  The only sound was the lonesome cry of a solitary hawk winging its way through the boiling updrafts.  Silence and desolation reigned over the land.

     In the midst of this parched wasteland was a pathetic cluster of ramshackle wooden buildings as bleached and bone-dry as the country which surrounded it.  Ten or eleven structures straddled a wide main avenue, which came from nowhere and led to more of the same.  “Monson’s General Store” one shop front was labeled.  “Chinese Laundry” hailed another.  “The Golden Horn Saloon” was a third, and it was here that most of the town’s meager activity was centered.  Skinny, rawboned folk, their faces beaten into a mass of crusty wrinkles and wind-burned lines, moved in and out of the creaking batwings at the saloon’s entrance.  Potbellied men with greasy hair, beady eyes and clothes bleached to a grimy no-color escorted women as slender and wispy as straw.

    The bartender stood behind the worn and long-suffering bar, endlessly wiping whiskey bottles free of the choking dust.  Beads of sweat stood out on his furrowed brow.  The air of desperation was thick enough to cut with a knife.  He heard a particularly loud creak from the batwings and looked up from his work. 

     Standing at the door was a man so thickset and long of limb that he looked like an ape on its hind legs.  The entire saloon fell quiet at the amazing sight.  The stranger loped across the room with an easy, lolloping gait, like a man accustomed to venturing into strange and hostile places.   He swung up to the bar and planted himself on a stool.  The bartender stared.  The stranger met his eyes and opened his mouth, speaking in the hard, gravelly tone of a hard-bitten trailblazer.

     “Gimme a whiskey.”

     The bartender put his eyes back in.  He reached around, retrieved a half-full bottle of red-eye from below the mirror, set a shot glass on the bar and poured a gulp.  The stranger took it, knocked it back, and let out a quiet sigh of satisfaction.

     “Mister?” the bartender began, hesitantly, straining his courage to its limit.

     “Yeah?”

     “Why you wearing a clown suit?”

SF reading wish-list

You know the story. No matter how many books you devour in a year, it seems like you wind up with a to-read list that's twice as long. For every book you read, two or three more rise up to take its place. This literary Lernaean Hydra has been plaguing me lately. I don't know what's going on. Maybe it's because I've gotten back into reading for pleasure now that I'm in Korea and working the afternoon shift.  Or it could be that I've decided to take a more proactive approach to my craft. Perhaps I just spend too much time on TV Tropes.

Whatever the reason, I'm going to share with you some of the titles on my reading list. Some of 'em are classics, as usual; and some of them are little-known series which deserve more love. If you're interested in seeing what's out there in the world of SF, both old and new, give the following litany your perusal.

Foundation by Isaac Asimov

Once again demonstrating his genius for creating credible and deeply speculative SF (with historical context), Asimov created the Foundation series, which went on to critical acclaim. The main character, Hari Seldon, is the creator of an esoteric school of mathematics called psychohistory, which draws upon the law of mass action to effectively predict the future on a large scale. Using his research, Seldon foresees the imminent collapse of the Galactic Empire, Seldon creates the "Foundation"—a hidden enclave at the end of the galaxy where all humanity's accumulated knowledge is stored. The series documents Seldon's struggle to establish the Foundation and the attempts by the remnants of humanity to reestablish the Empire according to "the Seldon Plan."

I picked up a few books in the series for a few thousand won from an outgoing English teacher. I figured I'd give it a read...even though Asimov's I, Robot is still sitting unread in a box back in my closet in California!

Airborn by Kenneth Oppel

Matt Cruse is a 15-year-old cabin boy working on the airship Aurora. One day the Aurora encounters a drifting zeppelin with a mysterious old man mumbling about "beautiful creatures," who dies shortly thereafter. A year later, the Aurora is brought down on a tropical island by air pirates, where Matt and the wealthy Kate de Vries discover the truth of the old man's maundering.

This is another series I heard about by clicking around on TV Tropes. I know absolutely nothing about these books, except that Adam Young likes them. I've always been a fan of aviation in general. But something about those tales of weird aircraft and zeppelins and air pirates (particularly in the context of steam punk and alternate history) sets my imagination on fire. The Airborn series has an added twist: strange creatures and scientific discovery. What could be more awesome?

Mortal Engines by Philip Reeve


It's a grim dystopian future. The Earth's crust has been ravaged by a horrific war. Human cities are no longer sedentary, but are mounted upon gigantic treads which roll about the cracked, blasted surface of Planet Earth. More horrific yet, these "Traction Cities" devour each other with huge mechanical jaws to gain precious resources. It's a dog-eat-dog world, and the outlook is pretty bleak. Throw in Earth's ancient technology, a few long-lost superweapons and a load of characters and you have a pretty decent story, if a rather dark one.

I know next to nothing about this series, but can't wait to get into it. Cities rolling about on giant caterpillar treads is something that's fascinated me ever since I saw the film John Carter (based on Edgar Rice Burroughs's Barsoom series). The Mortal Engines series has garnered quite a lot of (positive) critical attention, so at the very least it won't be a boring read, right? 

Midnight at the Well of Souls by Jack L. Chalker

This series edges farther toward fantasy than I'm usually comfortable with. The concept is convoluted, so bear with me. In the first book, we've got your typical space freighter, the Stehekin, captained by one Nathan Brazil. There's a bunch of other people on board, too. They get a distress signal from a planet called Dalgonia, where there's an archaeological team doing some research on the long-dead Markovian race which once lived there. The Markovians were known for building planet-sized computers with which they attempted to fathom the secrets of the universe. Upon arriving, they discovered one of the archaeologists, Elkinos Skander, has murdered the others and disappeared. Tracking him to one of Dalgonia's poles, the crew of the Stehekin are sucked into the Well World, which is divided into "hexes," each hex being subject to different rules, laws, and inhabited by a different race. But here's the catch: entry into one of the hexes means that the person entering is transformed into the race native to that hex. One by one the crew members change into exotic alien forms; in these new bodies they must solve the mystery of the Well World, find out how to stop Skander and turn themselves back into humans. And Nathan Brazil discovers something extraordinary about himself, too.

Weird, right? So weird I feel like I have to read it. I just want to see how the team gets transformed, and what they all morph into. Call it morbid fascination. Chalker himself was quite taken with bodily transformations as well; the rest of the Well World series and quite a few of his other works deal with it. 

In the Balance (Worldwar, Book One) by Harry Turtledove

In a nutshell...

Smack dab in the middle of World War II, Earth is invaded by the Race, a horde of spacefaring reptilian warriors bent on galactic domination. Both the Allies and the Axis unite in the face of mutual destruction and rise up against the invaders.

I used to hate historical fiction. Then I cautiously read the first book of the Destroyermen series (see below), and I thought, "Hey, this isn't that bad." (Heck, I might even go see Abraham Lincoln: Vampire Hunter this weekend.) I'm something of a World War II buff, so combine that with an alien invasion (in which the human race not only holds its own, but actually fights back successfully in unexpected ways), and you've got a recipe for a fangasm.

Crusade (Destroyermen, Book Two) by Taylor Anderson

Into the Storm, the first book in the Destroyermen series, details the origin of Anderson's world and characters. The U.S.S. Walker, an aging World War I-era rustbucket of a destroyer under the command of Captain Matthew Reddy, is on the run from the Japanese battlecruiser Amagi. Pressed into service in the desperate first days of World War II, Walker and a half-dozen other worn-out vessels were tasked with defending the Navy's main base in the Philippines. Overrun by a massive assault, Walker and its sister ship Mahan are now fleeing the pursuing Japanese fleet.

That's when a mysterious storm appears out of nowhere, sucks up Mahan and Walker, and dumps them out...well, somewhere else.

The geographical features are the same. The coastlines look just as they should, and all the islands and reefs are in place. But Captain Reddy and his crew are startled to see dinosaurs roaming about on shore, and monstrous fish and other creatures swimming in the ocean. Traces of human civilization are nowhere to be found. Reddy's amazement deepens when the Walker runs straight into a battle between two completely inhuman races: the Lemurians, lemur-like humanoids who live on giant floating cities, and the Grik, savage reptiles with insatiable bloodlust. It seems humans never evolved in this world. Reddy's intervention in the otherworldly battle makes the Walker allies of the Lemurians and enemies of the Grik...and things only escalate from there.

In Crusade, the second book of the series, Reddy and his crew learn that Walker and Mahan were not the only ships to fall through the storm and into the new world: the Japanese battlecruiser Amagi made it through as well, and now it's in the clawed hands of the vengeful Grik...

Come on, do I need to explain this one? A parallel Earth? Inhuman races vying for supremacy? A savage world full of strange monsters and ancient beasts? Bamboo technology mixing it up with World War II capital ships? Freakin' humanoid dinosaurs versus freakin' humanoid lemurs? BARs and Springfield rifles? This is just too cool. Taylor Anderson is no William Faulkner, but he writes well enough to illustrate his world and populate it with vivid imagery. I got all the books in the series (so far) at What the Book? in Itaewon last month, and I'm going to start working on them as soon as I finish my Jules Verne kick (The Mysterious Island and Around the World in Eighty Days).

In addition to these sci-fi titles, I've got The Catcher in the Rye by J.D. Salinger and Brave New World by Aldous Huxley waiting in the wings.

Oh! The joy of reading!

Listening to:

so friggin' excited

You know that feeling when you've been trying and trying to get a major project out of the way, and only time and your procrastinating brain have prevented you from doing so? But you've finally bitten the bullet, taken the bull by the horns, cut the Gordian knot and (before the metaphors get completely out of hand) completed the project in one fell swoop?

Yeah, I've got that feeling.

I've finished collating my notes.

Whaddya mean, "what notes"? The notes on my novel, muttonhead! The umpteen kilobytes of Word documents and Notepad files that were laying around on my computer, unlabeled, unsorted and unorganized!

Yeah, them.

This was the first step to creating a comprehensive enchiridion (my new favorite word) for my novel series. You heard me: not just my first novel, the entire series. I'm planning the whole thing out, beginning to end—a full-blown outline. I bought a blank notebook at Homeplus, devoid even of guidelines. It's just waiting invitingly for me to fill it with scribbles, diagrams, maps, plot-lines, threads, trains of thought, brainstorming, character sketches, fictive interviews, story-planning matrices, bits of dialogue, assorted footnotes and other miscellany.

Before that, however, I had to get my house in order.

I have typed roughly 100,000+ words—30,000 more than the manuscript itself—in notes for this first book and almost every book after. (In case you were wondering, I have no idea how many books will be in this series; but with the amount of material I've got, I'm thinking somewhere in the neighborhood of 15-20. It all depends on whether I'm a good enough writer to tease enough material out of the miasma of inchoate notions in my brain without going stale.)

Most of that material is—or was, until today—bound up in a little Windows program called Notepad. Notepad lets you type notes to yourself and save them in a simple format. I had collected, by my count, 227 of these "notes-to-self," ranging in length from a few sentences to 1,000 words. (I also have a 40,000-word document on Microsoft Word, and piles of scattered paper notes in boxes back home in California; but we won't mention them here.)

How do I know that there were exactly 227 files, you ask? Well, that's because I numbered them.

I thoughtfully labeled these notes with the letter "z" and a corresponding number in ascending order. I have no idea why. Ostensibly, I wanted them to be easy to find and refer to. The "z" prefix ensured that the novel notes would always be the last in any list (I have quite a few other notes on various topics, not all of them writing-related). That way I could find them quickly and open them.

That would have been okay, as long as I'd had less than 10 note files. But when I found myself typing "z-227" and hitting the "Save" button, I thought Something's gotta be done about this.

I love my Friday class schedule. I have only four classes, with breaks in between them all. This means three hours of classes and three hours of free time, every Friday. The amount of writing/organizing I get done on Fridays is freakin' ridiculous.

And, on this particular Friday...I finished the Great Work. I'm done collating my digital notes. I went through each and every one of the little bastards, examined their content (most of which I'd forgotten that I'd ever written), analyzed them carefully, relabeled or relocated them as necessary, then deleted the originals. There isn't anything in my files beginning with "z" anywhere. They've all been aggregated into large topic-specific files, or renamed and alphabetized.

There remains but for me to go home, get out a freshly sharpened No. 2 pencil, lick the tip (if I'm feeling flippant), open my empty notebook, click on the Notepad file named "regions and story arcs," and start mapping out my complete series.

So friggin' excited...

let the countdown begin!

Technically it's already begun—you've probably noticed that cute little widget over on the right. However, the gears have finally meshed. Two days ago I received my passport back from the Korean Consulate General in Los Angeles, stamped with a shiny new E-2 work visa classifying me as a "foreign instructor," and guaranteeing me a one-year sojourn. This was the last piece of paperwork that I needed. I can flash this little honey in the faces of the Korean immigration officials, waltz through customs, and enter South Korea as a legal immigrant. All of my ducks are in a row. I could leave tomorrow if they wanted me.

But they want me on February 7. After a little jockeying, some back-and-forth nonsense, a glut of vacillation and a smidgen of misinformation, the date of my departure was finalized. I am, needless to say, tremendously excited. The contents of my room (stuffed into way too many heavy cardboard boxes) are safely tucked away in a storage unit in town. My suitcases are half-packed, and all the equipment I'm bringing with me has been inventoried and set aside. Decks of cards (three normal decks and a pinochle set); my grooming kit; shoeshine supplies; hat brushes; journals and notebooks; battery chargers; plug adapters; packs of gum; medicines and taco seasoning; and, perhaps most important of all, books. I've got all my cocktail recipe books with me, and some stuff about card games, and my Worst Case Scenario: Travel guide.

And then are the works of fiction I've selected. Sapsucker that I am, I neglected to choose these volumes before packing up my personal library, so I had to go back through the boxes and mine these buggers out of the tenebrous depths.

They are:

• The Great Shark Hunt by Hunter S. Thompson
• Frankenstein by Mary Shelley
• Heart of Darkness by Joseph Conrad
• Robinson Crusoe by Daniel Defoe
• Skeletons on the Zahara by Dean King, which I'm reading now.

I've read Heart of Darkness before, but that was years ago, in school, and I didn't pay it much attention because I was too busy trying to avoid having my upper body dunked into a trash can. Like Moby-Dick, I have attempted to read Frankenstein repeatedly, but always petered out near the end of the first chapter. The Great Shark Hunt (also known as The Gonzo Papers, Volume One) is Thompson's true account of his adventures as a drug-addled gonzo journalist in a country turned upside-down by chemicals, counterculture, rock 'n' roll, political corruption, and war. (The Sixties, in other words.) Skeletons on the Zahara is likewise nonfiction: a tale of woe, desperation, suffering and privation regarding the crew of the American brig Commerce, shipwrecked off the coast of West Africa in 1814 and sold into slavery by Saharan nomads.  It's pretty good so far. Should be a good read on the plane, if I don't finish it before that.

Speaking of books, I am so far behind on my book reviews that it ain't even funny. Okay, maybe it is a bit funny. But that's beside the point. I'll spare you a long, dull, wordy series of reviews that you undoubtedly wouldn't have the patience to read. Instead, I'll review each book in one sentence:

• Starship Troopers by Robert A. Heinlein: A breathlessly suspenseful epic and yet also a sinewy and hard-lined analysis of patriotism, military service, war, and human conflict, in the guise of a rollicking good science fiction tale about well-trained space soldiers in powered armor battling hideous alien bugs. 9/10
• Into the Wild by Jon Krakauer: Journalist and inveterate traveler Krakauer details and examines the life, motivations, adventures and ultimate downfall of the ill-fated super-tramp Christopher McCandless. 9/10
• Fear and Loathing in Las Vegas by Hunter S. Thompson: An excoriating satire of drug culture, chemically-enhanced ramblings, and late 20th-century vice in the world's most sinful city—sportswriter Raoul Duke and his Samoan lawyer, Dr. Gonzo, speed off to Las Vegas in a giant red convertible and a trunk full of drugs to cover a motorcycle race. 8/10
• Black Like Me by John Howard Griffin: A powerful, gut-wrenching, no-holds-barred peek into the lives of black folks in the American South in 1959...seen through the eyes of white novelist Griffin himself, who darkened his skin artificially and set off to the South to find out the truth about the "Negro Problem." The truth is viscerally shocking. 7/10

There. Now you know what I've been reading. Incidentally, I've never read any of these books before. I don't know what took me so long to get around to Starship Troopers. Perhaps it was the awful movie adaptation. Thankfully I set my prejudice aside and read the book, which, as I understand, is required reading at West Point, and a great favorite among the 75th Ranger Battalion (the guys who fought through hell in Mogadishu in 1993). Now if only Barack Obama and the Democratic Party would read it...[sigh]...

And finally, since I will become an immigrant (emigrant?) in ten days, I'll leave you with a little song. Yes, yes, I know. I should be using "The Final Countdown" or something, but I hate that song. So take it away, Zep.

distressing trends in fiction

I know, I know. This is the Sententious Vaunter. I should be penning you a panegyric, not a philippic. But sometimes I discover things which make me want to scream, and the only place I can scream eloquently enough is here on this blog. So strap yourselves in. It's ranting time. 

I'm drawing attention to this subject because (a) it bugs me and (b) to my knowledge, the phenomenon has only recently been named. Finally, we have a label for all those teen romance books that involve vampires, werewolves, zombies and aliens.

I first saw the label at Barnes & Noble. Two whole sections of bookshelf had been given over to the genre, whose individual components were earmarked by the Goth-looking teenagers on the covers, the sinister titles, the dark colors, and their universal, superficial resemblance to the Twilight series. The placard over this section indicated that these works were "Teen Paranormal Romance."

What? What the hell is teen paranormal romance? I thought.

Then I realized. The resemblance to Twilight wasn't superficial. People—grown men and women, not just teenage girls—had gotten so infatuated with the type of story which Twilight offered that the series had sparked an entire genre: teen girls (and, in some cases, teen guys) falling in love with eldritch monsters.

Oh jeez, I thought. That's ridiculous. Thanks a heap, Stephanie Meyer. You really started something.

As you can probably tell, I don't approve of Twilight or anything remotely resembling it. Specifically, I take issue with the manner in which Twilight has degraded and diluted the definition of masculinity. Instead of being rough, hardy, muscular, forthright and boisterous, like real men ought to be, Meyer's ideal man is a skulking, pale, sensitive, soft-spoken freak of a pretty boy. I don't consider that manly at all. And yet scores of swooning teenage girls have gone wild for Edward Cullen; Indiana Jones, Conan the Barbarian and James Bond are chauvinistic fossils by comparison.

This is not the kind of world I want to live in.

The problem is simple. The very fact that this disturbing trend has been labeled means that it's entrenched. Teen paranormal romance is here to stay, at least for a while. It's the big thing in fiction right now. The Twilight movies are slaughtering the box office and paranormal romance of every variety is infecting the shelves of booksellers nationwide. There's no way to dislodge the phenomenon. It makes me cringe to think of what might come next.

As always, I shall be the lone voice of sanity in these insane, chaotic times (boy, ain't that ironic). While teen girls (and, I suspect, a generous sample of middle-aged women) ooh and aah over the pencil-necked vampire boys, I shall continue to write stories which feature musclebound guys, ball-crushing badasses, and suave, straight-talking champions. I shall let the purity of the masculine ideal speak for itself in my fiction. Bold adventurers, quick-thinking rogues and rock-hard heroes will never go out of style, and though some distressing trends in fiction have arisen of late (and will do so again), I shall remain a bastion of artistic integrity and truth.

There shall be a good deal of romance in my books, and no street-smart, gorgeous heroine of mine is going to fall for any pale, bloodsucking pretty boy.

So help me Crom.

(Funny story: Conan's facial expression here exactly resembles mine whenever somebody mentions Twilight.)

I also think steampunk is way overrated, but that's a story for another day. I need to go fix myself a drink. Annyeong!

writing high

My muse has been holding out on me. For weeks I've suffered from ennui, a lack of enthusiasm, a debilitating absence of inspiration, courage, and wherewithal.

But man oh man, am I ever in the writing mood today!

I felt it coming on in the afternoon: a sudden, mastering urge to get back on my computer and write, dammit, finish rewriting this damn novel, because the whole thing is just too awesome to describe and it needs to be done and published and sent out there so other people can enjoy it.

And boy, was I right. As soon as I got home and sat down, the effluence started pouring off my fingers like it'd been stored up for months, which, in retrospect, it probably was. I've been so scared, so reluctant, so uninspired lately...my shortcomings staring me in the face, my lack of ambition gnawing on my backside, my intimidation from the professionals riding high.

But all that went out the window today. I started fixing my stilted, drab and puerile first chapter, and

SHAZAM!!!

It was like I actually knew what I was doing! Characterization? Easy as pie! Pacing? Think nothing of it, my man! Tone? Precisely, PRECISELY the way I wanted it. I was channeling Arthur C. Clarke's wondrously descriptive, refreshingly approachable, and wryly humorous style. And it was almost better than sex, for Pete's sake. I'm sure you know the feeling, fellow writers. That burst of inspiration comes (a cloudburst, more like it) and down come the words like rain, flowing together into delightful puddles and tributaries and streams. Feels grand, doesn't it? Like a literary version of the Midas touch: everything I turn my mind to turns to gold. Characters sizzle and pop, the pace advances with intoxicating fervor, plot and premise transform themselves from ragged threads into a majestic double helix, the DNA of a completely new and fantastic organism.

So here I am, rattling along. I've smashed through two (out of twelve) chapters, where before I could hardly be bothered to correct a paragraph or two. This feels wonderful. I'm wondering what's different today that wasn't there all the other days I tried to revise. Maybe the perspective I've been slowly garnering via meditation (and tactical amounts of whiskey) has finally sunk into my subconscious. Maybe I've encapsulated all the hard-won wisdom I've shared with you over the past few weeks. Whatever the reason, it's working. And it's danged effective. This is the first time since my novel's completion two years ago that I've looked at it without disgust. Hell, this is the first time I've ever looked at it with raw excitement. I see potential now. I see effervescence. I see mellifluousness. I see marvelousness (that's a word, isn't it?). I SEE. All the possibilities and angles and contingencies (and more importantly, what I need to do to attain them) have all become nakedly visible. My muse zapped me in the eyes with some literary LASIK surgery, and abruptly the world has become limitless. I can see for miles.

This is the first time I've experienced anything like this, so I'm going to take advantage of it while it lasts. Goodness knows when it'll ever come again. I just took a quick break from revising to tell you about it; if you'll excuse me, I'd like to dive back in now. Ten more chapters are calling my name. I might just bust through all 51,000 words tonight, so help me. It'd be worth it. Then maybe I'll wake up tomorrow and start the publishing process without reservations or misgivings.

I'll let you know, either way.

And now, let's have a song!

writing updates, 8/6/2011

I have sent a novella to Fantasy & Science Fiction!

Yes, you read that correctly. I wrote a novella. And actually got up the courage to send it to a publisher. I sent it off in early July.

...and got it back three weeks later, with a rejection slip enclosed.

This is only the second time I've been rejected. Heck, it was even the same magazine. I might've known what was coming. An amateur can't expect his first five, ten, or 1500 works to be accepted at a veteran sci-fi mag which has played host to everybody from Stephen King to Daniel Keyes. King himself got a nail and hammered it into the wall above his bed and stuck his rejection slips there. He had a whole pile of them before he got accepted anywhere. Sylvia Plath submitted one story to The New Yorker thirty-six times before they finally accepted it. I can't logically expect anything different.

But still, it hurts.

I had high hopes for this story. It was 23,000 words of what appeared to be, at the time of submission, 100% Grade-A effluence. The plot (I thought) was superb, the setting grandiose and compelling, the premise timeless. The characters sparkled and sizzled. The twist at the end was dynamite. To the FACE.

Boy, was I wrong. The assistant editor at Fantasy & Science Fiction wrote back and said, basically, that the story "couldn't hold interest."

Ouch.

Well, I shrugged, I'll have to do better next time.

I was flying around at 10,000 feet yesterday, with the bright desert sun shining in the window and burning my face to a crisp, when suddenly two new ideas struck me full-force. One concerns a boiling planet 73 million miles from its super-hot sun, where the inhabitants scurry about like rats beneath the surface until an alien race from an ice planet shows up and begins siphoning all the heat off; and the other, "Refuge" concerns an extraterrestrial mendicant who just happens to show up in the backyard of a—

Now, now; any more and I'd be telling.

Succinctly, I have two new story ideas burning holes in my brain, and I'll start work on them forthwith. Whether they'll actually be published is up for debate, but I think I'm getting a little better with every piece of crap I churn out. Someday one of them is going to catch the eye of somebody sitting at a big desk. And you'll be the first to hear about it.

Or something like that.

I have one last momentous piece of scribbling shop-talk for you.

I have resumed work on the Novel.

Yes! That damn novel!

I was sitting around the airport one day, bored out of my skull, wondering when I was going to get over my fears and finally implement the edits and changes I'd been kicking around, when something inside me said "Screw it." I clicked on the link and the monster itself appeared on the screen of my brand-new Toshiba.

Slowly, ever so slowly, I highlighted a chunk of puerile drivel.

Licking dry lips, I moved my index finger to the top right corner of my keyboard, and punched the DELETE key.

The garbage vanished.

And just like that, the Novel got a little better. I added in a few paragraphs of new dialog and characterization, liking where it was going. The beginning is a lot less dry and preachy and a little more punchy now. It shows promise, much more promise than before. My inklings were correct about what needed to be done to improve the storyline.

I shan't stop here. I'll keep on editing, slowly, carefully, so the night-terrors don't overtake me again. And soon the monster will hopefully come out looking better than it did in the beginning.

That is all...

Wish me luck.