Showing posts with label responsibility. Show all posts
Showing posts with label responsibility. Show all posts

Saturday, January 25, 2014

30 Days to a Better Man, Day 25: start a debt-reduction plan

Whoo-ee. Yesterday's playtime went very well indeed. I got my tax stuff done, though I had to wait around and sip a coffee frappé while the T.A. finished his lunch. He was quite thorough and efficient, having done tax forms for several other professors before me. It took him just 30 minutes to fill in and print my forms. I was out of there by half past one.

I hopped Line 7 to Line 9, and thence to Yeouido Island. I strolled down Uisadang Boulevard and through the long, echoing pedestrian tunnels under Yeouido Park. A young couple was learning to skateboard down there, their skin jaundiced from the glow of beat-up incandescent lights. Despite signs warning him not to, a scooter driver zipped by as I walked along, filling the air with exhaust fumes. Upon emerging back into the diffused daylight, I found myself across an intersection from the National Assembly. Standing near the guardhouse at the gates were four cold, bored-looking policemen in black-and-yellow uniforms. The grounds seemed dead and shriveled under the muted sky, the grass brown and the fountains bone-dry. The National Assembly building itself, however, was magnificent. Apparently it's the largest building of its kind in all of Asia. I made a mental note to book a tour there with Miss H at some point.

Then the real fun began. Hungered by my walk, I hurried back down the boulevard to a tiny little mandu shop I'd noticed earlier. I sat down at a narrow red table (with recessed steel trays for kimchi and pickled yellow radish) and ordered the ₩3,500 assortment. It was delicious, though the last two dumplings were so spicy that I had to gulp down some water. I retreated back into the subway and took the geumhaeng (express) train to the last stop, Sinnonhyeon (New Nonhyeon), just a block or three north of Gangnam Station. I entered the enormous brown Kyobo Building, delved into its basement bookstore, and purchased a copy of The Metamorphosis by Franz Kafka for 
₩6,900. With the book between my knuckles I jogged across the road to the Urban Hive, which Miss H and I have nicknamed "the Swiss Cheese Building," and Take Urban, the coffee shop on its first floor. I sat down with a cup of Darjeeling and read Kafka's whole story, soup to nuts. It was fascinating, moving, grotesque, poignant, unexpected. I don't know why I didn't read it sooner.

I had intended to walk a few blocks north to the old Nonhyeon Station on Line 7 and catch a train for Gwangnaru and a little izakaya (Japanese-style pub) I knew near my apartment, but I got a call from Brant — you know, the fellow I brew beer with. A buddy of his, Marcus (born in Texas but attending college in Cairo, Egypt), was in town and the two were bumming around together. I'd challenged them to a game of billiards the previous evening. Brant told me to meet him and Marcus at Gangnam Station at eight o'clock. To while away the intervening hours I went to an old nemesis of mine, WaBar, a "western-style ice bar" and sipped their infamous saeng maekju (draft beer) for 
₩4,000 a glass. To kill time I read Kafka's story "In the Penal Colony," which was even more disturbing and emotional than The Metamorphosis.

At 7:45 I wobbled down to Gangnam Station. Brant and Marcus showed up on time. We sipped Jack and Cokes for ₩6,000 apiece at a bar called Whiskey Weasel, jockeying for position amid a group of young foreign men and Korean girls having a language exchange. The three of us shot pool and eyed the sultry goings-on. Following my resounding victory, we adjourned to Woodstock, a nearby LP bar. We requested Red Hot Chili Peppers, The Who, Warren Zevon, Wolfmother, Led Zeppelin, George Thorogood, and many more. Bourbon, Scotch and at least four pitchers of beer were consumed. We went back to Whiskey Weasel and shot more pool, our aim now a great deal unsteadier. I vaguely remember getting into a cab at 2:30 in the morning and collapsing on my couch at three. Undoing the ramifications of this bender has been today's sole concern. 

Well, not my sole concern, truthfully. Today is Day 25.


I already have a debt-reduction plan. I fork over $114 every month to pay off my college loans, the total amount of which is now (thanks to years of hard work in South Korea) four figures and dropping fast. My first year at Sejong University was so remunerative that, a week ago, I paid off a whopping $1400 of my debt in one fell swoop just to expedite the process. For the sake of this challenge, I calculated that if I pay $500 a month into my loans, starting in February, I can be totally debt-free by this time next year.

...at least until I marry Miss H and take on all of her debt.

Whoopee. Welcome to married life, Postie.

Stump up for Day 26... 

Thursday, January 23, 2014

30 Days to a Better Man, Day 24: play!


All work and no play makes Jack a dull boy, right? Especially if Jack's a writer.

All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull boy. All work and no play makes Jack a dull b--

I should probably stop before you get freaked out.

Anyway, today's challenge is to play. Thirty minutes of pure, unadulterated fun time. Yes, I know that's not really specific. But that's the point. There are many different types of "play." You can do anything you want, as long as it isn't video games. I really like what the AoM article says. "Keep in mind that some of the best play involves novelty, curiosity, and most of all, exploration, whether of the limits of your body, new physical locations, or the corners of your mind." You should stretch a point and do something creative. B
uild a model, go bouldering, shoot pool, ride your bike, challenge your buddies to a pick-up game of basketball, bust out that jigsaw puzzle, go exploring, whatevs. You just have to make sure that you're doing it for no other reason than fun. The point of the activity is the activity itself. It's time to let go of all those manly responsibilities and have some fun. 

I kind of wish I'd done this challenge in summer. It's hard to get into the mood to play when it's cloudy, slushy, and drippy outside. I have a quick errand to run at Sejong University and then I'm a free man after lunch. I have this whole wide city to play in and I can't decide what to do. I really want to do something outside this jail cell of an apartment, I know that much. I had originally planned to hop a train down to Suwon and see Hwaseong Fortress, but it'd look so dreary in this weather.

Okay.

I have an idea.

I'll pick a section of Seoul I haven't properly explored yet and go explore it. Yeouido Island might be a likely place to start. It's a big island that sticks out from the southern shore of the Han River. "Island" is a liberal term; only a tiny, muddy, meter-wide strip of water separates it from the rest of the peninsula. I've been there a few times before; I really love the park this time of year, and the 63 Building is pricey but has one of the best views of Seoul. I've never taken the time to stroll around and see anything else, though, particularly the National Assembly. I won't go in for the guided tour (you must make reservations three days in advance), but I can at least see the façade, the 
visitor's center and the extensive lawns out front. It's been a while since I went exploring for exploring's sake. I'll find myself a little mom-and-pop shop afterward and snack on gimbap, ramyeon or bibimbap, and then sit in a coffee shop with a view of the river and read Paul Theroux's Ghost Train to the Eastern Star. Sounds like a nice play-day.

Play along for Day 25.

Monday, December 19, 2011

e-hiatus, day 6

Well, I completely flubbed it today. I was on the Internet practically all day, and did nothing constructive besides: neither research, nor novel-writing, nor exercising, nor job-hunting. I even broke down, found my phone, cracked it open, and played some games on it (but not Angry Birds, thank goodness). If I'm feeling particularly seditious I'll watch a movie or something.

Oh well. Research suggests it's good to reward yourself for good behavior when you're in the midst of a new regimen, and I've held out almost a week. Plus certain events have conspired to make this little deviation almost necessary (I won't go into details; it's personal. You'll just have to trust me on it).

I did finish Starship Troopers last night, so I'll have to review that for you tomorrow. I started in on Phaid the Gambler (a little-known sci-fi tale by Mick Farren, and it's turning out to be hard-boiled, gritty and engaging so far). At least I got some reading done, right?

Monday, March 22, 2010

from me to you

My valiant quest to win every award in the known Universe continues.


Now, I could offer you the usual excuses, self-deprecations, pleas of ignorance, but that'd be tedious. You've heard 'em all before.
"My gosh, I just don't know why I get all these awards."

"Who'd have suspected I would garner all this attention just for shamelessly pontificating?"


"Beats me where all this attention comes from. I just blog here, man."

Let's just skip that part. Suffice it to say, I am once again humbled, honored, and red-faced to receive this accolade. I believe it's called
the "From Me To You" Award (didn't see that coming, did you?). Two exemplary bloggers bestowed it upon me: Jon Paul from Where Sky Meets Ground and Mia from My Literary Jam and Toast. I call these bloggers "exemplary" because they epitomize principles every blogger should aspire to:

If you're going to say something, say it well. And make yourself useful while you're at it.

Mia and JP not only write well (and humorously). They habitually promulgate tips and hints to help us poor benighted folk with the agonizing and soul-shaking process known as "writing." (Speaking of which, I need to get cracking. I should find out what that publisher back in Georgia is doing with my first three chapters, and keep editing my MS in the meantime. I might have found an alpha reader I can give it to when I finish the second edit, though. Even so, I'm falling into a stagnant, apathetic rut again. I hate myself sometimes.
Come on, my conscience is niggling at me, do you want to be a writer or not? Roni over at Fiction Groupie just won an award with her novel manuscript, and the publication process has started! She's on the road to success! That could be you, chump. Thanks, brain, I needed that.)

Anyway, let's see about the rules of the FMTY Award: seven facts, seven bloggers. Or perhaps we should say "seven truths" because, as Indiana Jones will tell you, fact is not truth. Relate seven truths about yourself, and send the award on to seven worthy bloggers. That's not too shabby. I was hoping I'd get to do another award ceremony again, and mollify my enormous ego by deluging you with ceaseless talk about my favorite subject.

  1. I could count the number of lies I've told in my lifetime on one hand. That's if I could remember how old I was when told the last one.
  2. I hate asparagus. It is my absolute least favorite vegetable on this benighted green Earth. If every single spear of asparagus suddenly vanished out of existence, or was whisked away into another dimension, or was scorched and fried into oblivion...I wouldn't so much as blink.
  3. Speaking of hating things, I once despised alcohol. Couldn't stand it. Liquor, cordials, even beer. The taste was abhorrent. Thank goodness I stuck to my guns and kept tasting it. Eventually it began to taste better. And now look!
  4. Sneezing is one of the more under-appreciated bodily functions. It's so enjoyable! Scratches every itch in the nasal tract.
  5. It's endlessly annoying when folks say "Here, here" instead of "hear, hear"; "without further adieu" instead of "without further ado"; and "hanger" instead of "hangar." ("Here" is an adverb, "hear" is a verb; and you are telling bystanders to "hear" what the speaker is saying when you proclaim "hear, hear." Adieu is French for "goodbye." "Ado" is bustle or fuss. And a "hanger" is either something you use to put up clothes or a short sword worn by British soldiers and sailors. A "hangar" is where you put your airplane. Are we clear?)
  6. I love it when people refer to chimpanzees and other great apes as "monkeys," though. It makes me laugh.
  7. I have an irrational fear of fiberglass.
Splendid. And now onto the nominees who have earned this prestigious award!
From me to you, my pretties. Keep the quality coming, the juices flowing, and the Muses grinning. You're lucky I'm rather tired this evening. I was going to spin this post into a huge didactic tale of drone-spotting and novel-editing. But I ain't gonna do it now. I'll have to save it for later. I, my friend, am going to flop down and vegetate for a while. You have yourself a good evening.

Tuesday, February 23, 2010

coulda, shoulda, woulda

I wouldn't last long in the military. You know why? Because I'm stupid, that's why. Most recruits in the armed forces have this thing called routine. There are certain tasks they're expected to accomplish each day. To help them accomplish them, they have a drill sergeant. But perhaps more importantly, they have another really neat thing called work ethic. (It might also be construed as fear of the drill sergeant's can of whoop-ass, but let's stick with the perfect world, shall we?) They have to want to get their assigned tasks done. They have to want to be at boot camp. They have to want to sculpt perfect hospital corners whenever they make their beds, finish their morning run in good time, score high during marksmanship trials and so forth. By adhering to that work ethic and by steadily completing their routine every day for weeks, recruits get an idea of what's expected of them, what they're supposed to be doing, and how things are supposed to go. They know what to do, how to do it, when to do it, and what the benefits are to doing it (not being appointed a permanent latrine orderly, for example). Me? Not a chance. I just sort of caper along through life, visions of dancing daisies in my head, whistling a happy tune until I run smack into a brick wall or fall down a manhole. Very, very rarely will I actually stop in my tracks, straighten up, scratch my head and yell, "Hey! I should be doing THIS!" That happened to me this morning. It was eleven o'clock. I had woken up at 9:30, rolled out of bed, eaten a heaping bowl of Honey Bunches of Oats, dragged a brush through my hair, and had been reading other people's blogs all morning in my pajamas. After a while, I finally got off my duff and into the shower. As I was bending down to pick up the bath rug and hang it over the edge of the tub, I suddenly thought, "HEY! Instead of loafing around the house all day, blogging, studying bartending flashcards, lackadaisically searching for a job, reading The Epic of Gilgamesh or playing video games, I could be starting in on my second novel!" (Well, something like that, anyway.) Immediately following, an enormous rush of childish glee ran through my body. It was as if Christmas was suddenly the day after tomorrow, or I'd suddenly won an all-expenses-paid trip to Las Vegas, effective immediately. It was the old, intoxicating feeling of anticipation and excitement. It was the writing fever. And it was back. It had fallen by the wayside in the wake of my first novel, replaced by the revision blues. I don't know about you, but I've never really liked editing and revising and proofing. Anyone who's ever spotted a typo in my blog posts will realize that. Typos are anathema to me. I'm a good speller. I'm something of a wordsmith, in fact. But I do make mistakes. And what's worse, I can't always be bothered to find them and fix them. I'm working on that, but it's a hard slog. But never mind about that. The point is that there's always something more I could be doing. And very rarely do I realize it. I get complacent too easily. I fall into a rut, stagnate, and just sort of stew for a while. Often it takes some calamity to make me notice how much I've slacked off. I mean, come on. I love writing. I'm drunk on this story I'm creating. Writers understand how much of a trip, a joy, a high, a tremendous kick in the pants writing is. It's like a drug, an illicit love affair (as Laura said). I can't understand why I would hesitate to dive back in. I'm not daunted by the task. I actually have a much clearer idea of the plot of this second book than I did for the first. Even now, as I contemplate the prospect of writing the next chapter in the series, my pulse quickens and my eyes gleam. I just got complacent. Lazy. Indolent. Mush-brained. The only thing I have on the docket for today is studying, studying. I have one final time-trial to pass at bartender's school, sours and blended drinks. (While we're on the subject of dithering, I could've been finished with bartender's school a lot sooner, too.) The newly-completed flashcards are sitting right here next to me on the bedspread. I have merely to roll over, pick them up, and begin the long process of memorizing 40 drinks before tomorrow. But in the meantime, I sat here for an hour and a half in my PJs, wasting precious time on the Internet. Yesterday I made those flashcards, sent an e-mail to my potential employer, and took an introspective walk. That's all I did. I've been dreaming and scheming about this novel series for years, and it was only the act of stooping to pick up a bath rug that made me realize that I'm spinning my wheels. Sometimes I really wish I could reach inside my head and punch my brain. A lot of writers can fall into this trap. Writing is fun, but it's hard work, too. Like an exercise routine, it can sometimes be difficult to start—even to remember to start. Maybe you're busy with other things: children, work, studies, hobbies, friends, obligations. You harangue, you chivvy, you exhort, but you just can't seem to get started. Perhaps you rationalize, and tell yourself that you'll get started first thing tomorrow morning. But tomorrow morning rolls around, and the idea stays in your head and your fingers off the keys. Maybe you throw up straw men, working on lesser projects while the Big Idea simmers on the back burner. That works for a while, but something's gotta give eventually. The best suggestion I've heard for combating the Great First Hurdle of Starting was given me by Stephen King. In his excellent autobiography-slash-writing guide, On Writing, King suggests that you get yourself a routine. Pick an hour in the morning or the evening. Make sure it's the same hour every day: six o'clock, or 7:47, or 11:09, whatever. You must be consistent. Sit down at your computer (or typewriter, if you're the old-fashioned sort) and write. Even if you don't feel like it. Even if your brain tells you that you'll never accomplish anything by forcing yourself to write. Even if the video games and millennia-old epics are calling to you. Just get on with it. Soon, King says, you'll notice that the words are coming easier. That the initial difficulty is slacking off, inspiration is welling up, and you're suddenly in the Writing Zone. It may take five minutes, or it may take five or so sessions. But soon, you'll notice that it becomes easier and easier to get on a roll. The writer's block will start crumbling faster. If you keep up your routine religiously, writing for an hour (or two) every day, same time, same place...good things will start to roll off that keyboard. It may seem counterintuitive, but it works. I myself was highly skeptical when I first read about the method. With my nose in the air and my voice laden with hauteur, I scoffed, "Poppycock! A routine would defile the creative process. Writing on a schedule is like trying to paint a masterpiece every month, or carve sculpture from nine to five. One must wait for the creative juices to flow, and then write." It didn't take me long to realize that if I sat around waiting for the creative juices to flow, I'd be in my 90s before I finished my second book. So I gave King's method a shot. And I noticed that soon, I was checking my watch and thinking excitedly, "Oooh, my writing hour is coming up." In no time at all, the creative juices were flowing, even before I sat down at the computer every night. I know this, and yet I haven't started doing it yet this year. I've set myself some goals for 2010, a battle plan (as delineated by Jon Paul). There remains but to buckle down and do it. Like those damnable New Year's resolutions, I can't seem to muster the diligence nor the intelligence to actually set myself a routine. Maybe I need a drill sergeant.
Help me, R. Lee Ermey. You're my only hope.

Monday, December 21, 2009

disappointment

Amazingly, I didn't realize that I was being a bad host until after I rousted Allison out of bed at 7:00 a.m. We were to head for Los Angeles that morning, December 15. I can tell I'm going to have a hard time writing this. Already my mind is wandering. The Gods Themselves is gleaming at me from my nightstand (curse you, Isaac Asimov), my flashcards from bartender's school are tantalizing me from one corner of the bedspread, and the wind is howling outside my window. Plus there's something embarrassing that happens in this story that I have to tell you about, and I don't wanna. But here goes anyway: Yes, I'm a bad host. The one thing I hadn't counted on when planning Alli's visit was how early we'd have to get up every morning to actually make it to the marvelous places we intended to see. Why'd we have to get up so early? I'm glad you asked. It gives me a chance to complain. I live only 60 miles or so from Los Angeles. That's it. That's maybe an hour's drive. Less, seeing as the speed limit's 70 miles per hour on the freeways. There's just one little thing that prevents me (and everybody else) from reaching Los Angeles in an hour. It begins with a "T." Traffic. That's it. Traffic is the thing. There are about 90,000 people living in the Apple Valley, Victorville and Hesperia areas alone. Odds are, any given day, that some of them are going to want to go "down the hill" (south on Interstate 15 through the Cajon Pass). And of course, once you get down the hill, you are in the L.A. Basin, which, as of last year, has nearly twenty million people in it. More than half of them are in Los Angeles alone. And all of them want to go somewhere. Usually right when I want to go somewhere. Dammit. So, in order to get anywhere in Los Angeles on time, you must tack an extra half-hour to an hour (or more) onto your travel time. We had no set time for our arrival at Universal Studios (thank God) but we hit the road about 8:00 nonetheless. Things weren't quite as bad as I'd feared, but still pretty clogged. It was the middle of the week after all. There were only 700,000 people on the roads instead of the usual 20 million. Long story short, we made it. Alli was a champ yet again. I had appointed her my navigator, and she never missed a turn. She also kept me abreast of the route at least two turns in advance, which I appreciated immensely. We pulled up to Universal Studios, parked (our lot was adorned with many blown-up images of Woody Woodpecker), and walked into the outdoor shopping center. Unsurprisingly, there weren't too many people about at 10:00 in the morning. The Hard Rock Café was the quietest I've ever seen it, even with the blaring guitar music. None of the shops caught our eye, festooned as they were with amazing paint jobs, life-size cutouts of King Kong, neon lights, and other assorted foofaraw. So (after a brief stop back at Roger for my camera), we adjourned to the park proper. Down the sidewalk, turn right at the big spinning steel globe and the mist machines, stand in line for 30 minutes while the Eastern European tourists try to haggle about ticket prices, and then go in through the blue gates. (That's how you get into Universal Studios.) The first thing that confronted us as we entered was a large bronze statue of a director, a script girl, and a cameraman, who were busy filming everybody who came in. The director was crouched down in a most ridiculous position, his index fingers making twin L's as he framed the shot. We started meandering through the ever-thickening crowd. If we'd thought that the shopping center outside had been glitzy, we got a real wake-up call inside. The place was off the hook. The most astounding collection of shops, boutiques and souvenir stores lined the crooked alleyways, leaning this way and that, and covered in the most outrageous assortment of protrusions and add-ons. The effect was intensified by the Christmas decorations which had been laid over the structures. Various movie cars were parked here and there, including the Bluesmobile from The Blues Brothers. You know I couldn't have resisted getting a picture in front of that. After satisfying our curiosity on the streets, we headed for the rides. The first one we took was, logically, the grand Universal Studios tour. That was a piece of wonderfulness. We drove through movie set after movie set, past movie car after movie car, through sensation after cinema-caliber sensation. I won't spoil it, of course, but I will say that we had a close encounter with Norman Bates, from Psycho; rode out a massive earthquake in a subway station; barely dodged a flash flood and some vicious dinosaurs; and even sneaked along Wisteria Lane while they were filming Desperate Housewives (quiet, please!). There weren't too many shows we were interested in. I did notice, however, that they were going to have a 30-minute "stunt show" at the Waterworld stage. I'll be the first to admit that Waterworld (that apocalyptic Kevin Costner movie) is a piece of crap. But it's a fun piece of crap, sort of. So we said, "What the hey!" We didn't regret it, either. There were explosions, and people falling dozens of feet into water, and fireballs, and shootouts, and hand-to-hand, and some of the most judicious use of zip-lines that I've ever seen. Those explosions and fireballs were the real kicker: loud, flashy, and so big that you could feel the wave of heat 50 feet away in the stands. There was even one point where they hurled a complete replica of a seaplane over the wall and into the water, where it skidded across the arena, in flames, and fetched up against the fence, practically in the faces of the people in the front row. That was...neat. The stuntmen (and stuntwomen) were really well-trained. Nobody missed a fall or failed to take a punch realistically enough. Jet-skis figured highly in this show, and some of the stuff they did with them was absolutely incredible. It was hard to believe they were doing it all live, right in front of you. I'm talking jumps, and dives underneath the water, and dodging explosions, and all that cool stuff. It was a good show. Better than the movie, I'll warrant. Better stunts packed into less time. Plus the leading lady was cuter. Eventually, we satisfied our curiosity with the upper lot, and descended to the lower lot via the Starway. This was an extremely long escalator, covered by a glass tile awning. The lower lot is where all the rides are. Including Jurassic Park. Oh heck yeah. We went straight for the dinosaurs. I was giddy with glee. Of all the theme rides in the park, including The Mummy, I was the most anxious to ride this one. I mean, come on! Dinosaurs, for Pete's sake! Dinosaurs! It was everything I'd hoped it'd be. I got into the car, and we started off down the jungle river. It was hard to believe I wasn't in the movie (or rather, the book...the literary version of Jurassic Park, which is a million times better than the movie, actually has a river segment that presages the Universal Studios version). The sun was shining through the trees and ferns and fronds overhead, forming golden beams that fell onto the swiftly flowing water below...the effect was cinematic as well as beautiful. I won't spoil the ride, but man, is it ever a gut-wrencher. Allison and I clambered out of the car thrilled, our shoulders soaking wet, our hearts thudding, unable to keep the grins from our faces. We had survived. We had to take pictures to commemorate the event. That was about it. Neither of us were much interested in the other rides, and we'd seen the rest of the park. So we wandered lazily out (stopping for a few minutes to get surveyed), and got back on the highway for the Walk of Fame. We had a nice stroll down Hollywood Boulevard together, even despite the grunge, and the whiskery black blues musician singing at us, and the kinky lingerie shops every hundred yards. We ate lunch at Combo's New York Pizzeria, where the slices were about this size... ...then got back into the car and began heading in the direction of the La Brea Tar Pits. Or, we attempted to. We soon discovered that I was going the wrong way. We need to pull a U-turn, head back down Hollywood to Vine Street, and hang a louie. But where to pull a U-turn? Hollywood Boulevard doesn't generally allow U-turns in turn lanes, and there aren't too many streets leading off, just narrow alleys. Unwisely, I picked one of these alleys to turn around in. This one had a couple of decently tall buildings on either side, one of which was a youth rehabilitation center with several cars parked outside. The other looked like some official building of some sort, with a few men dressed in business casual on the stoop. I pulled into some van parking, began to reverse, and— BAM. The Jeep jerked. There was a sickening sound, a sound I knew all too well: blunt metal meeting blunt metal, hard. I'd backed into somebody. I lost my head. I twisted around in a desultory attempt to see if I'd caused any damage to the other car, and, seeing none, pulled forward and out. As I was driving past the other building, one of the semi-formally-dressed men raised a hand and yelled "HEY! You hit that woman!" My head was still in the clouds. I was scarcely aware of what I was doing. "Bad?" was the only thing that came out of my mouth. "You'd better see," the man said, not aggressively, but not passively either. He pointed back at the other car. My head began to clear. It began to feel like the inside of a dry, dusty Egyptian tomb, in fact. So did my gut. I reversed, made sure I was as out of the way as possible, got out, and took a look at the other car (coincidentally, another white Jeep Cherokee). What I saw made my stomach plummet through the asphalt. There was a misshapen dent the size of a ham in the other Jeep, right where the driver's side door met the front panel. My mortification compounded a hundredfold. It was bad enough that I'd backed into somebody. It was worse that Allison had witnessed it (let alone been in the car when it happened). Worst of all, however, was the fact that I'd almost run for it. The self-recrimination began immediately. I was a cheating, sneaking coward. And now Allison knew it. I wished that all of hell's fire and heaven's fury would come whirling out of the ether and smite me dead. Outwardly, I remained calm. Not even I know how. I waited while the neatly-dressed man sent one of his friends inside the rehabilitation center to fetch the owner of the other Jeep. (He knew her personally, and knew this was her car.) While we waited, the man told me, "I'm just trying to help you, man. We've got cameras all around here." He made a circular motion with his index finger. I looked up. There were indeed traffic cameras pocking the alleyway. It was a fortunate thing the man had stopped me, I realized later. If he hadn't, and I'd driven away, I would've been a whole heap of trouble. Presently, the woman came outside. She was short, middle-aged and blond. She was not angry, but she did express regret that I'd punched in her new panel. (She said that she'd just gotten it redone.) I did not admit fault, as I'd been instructed to avoid doing, but instead made my apologies and willingly supplied the woman with insurance information. I dutifully copied hers down also. Her insurance card was expired, and she got a bit miffed when I asked for further proof of financial responsibility ("You hit me"). But in the end, we completed the transaction. She went back inside, and I folded up my insurance cards and got back into my own (completely undamaged) car. I pulled back onto Hollywood Boulevard wanting nothing more than to melt permanently away into sludge. I couldn't even bear to look at Allison. Throughout the whole thing, she'd sat calmly in the passenger seat of my Jeep, passing me paper and pens like a helpful angel, even cracking a few jokes about the whole thing. She was marvelous. But I still felt awful. I felt bad that I'd subjected her to being involved in such a hassle, and worse that she'd witnessed my attempted escape. And then, as I was thinking these things, Allison placed a hand on my shoulder and said, bracingly, "How ya doin'?" I told you she was wonderful, didn't I? The accident had taken up some of our time, enough that the La Brea Tar Pits were too close to closing to visit. More's the pity. We went to LACMA instead. You know, the Los Angeles County Museum of Art. After a few missed approaches and go-arounds, we made inside the parking lot, and took the elevator up to street level. The ticket seller told us that, if we waited 15 more minutes (until 5:00) we could "pay whatever we wanted" for admission—that is, make a donation. To kill the time, we toured the museum's current outdoor exhibit, "Urban Light": It's just what it looks like: a bunch of iron streetlamps stuck close together and set alight. Doesn't seem to qualify as "art" to me, but it was beautiful, and I guess that's enough. The ironic thing is that Allison and I had had a rather spirited debate on what should and should not qualify as "art" that morning as we ate breakfast at IHOP. As soon as we came in sight of this particular exhibit, Allison turned to me and said "There, does that qualify as art?" And I said, "Maybe if they turned 'em on." And then, mere seconds after turning away from the ticket booth, the lights came on. I turned to Allison and said, "That's better." There remains little to tell. We toured the museum, discovering some of Picasso's little-known sculpture, and admiring Luis Meléndez's vivid and massive collection of still-life paintings. Finally, we piled back into the car, fought our way out of Los Angeles on I-5, drove to San Diego, spent a few fruitless minutes searching for our hotel (which didn't seem to exist anymore), gave up, found a Howard Johnson, got a couple of rooms, and went to sleep. I lay on my bed in my pajamas, watching Robin Williams opine profanely about politicians, mulling over the disappointments of the day. Both Allison and I were disappointed that there had been so little to do at Universal Studios. I was disappointed that we hadn't seen the La Brea Tar Pits. As for my disappointment in myself for what I'd done that day...well, that was nowhere near subsiding. Allison, too, was likely disappointed in my driving skills...to say nothing of my irresponsible cowardice. I could only hope to to give her less cause the next day.




Saturday, June 13, 2009

a wedding in Masan

Charles and Anne tied the knot this weekend in Masan, just north of the island of Geoje, on the mainland, west of Busan, in a beautiful ceremony on the fifth floor of a wedding plaza which overlooks the spacious, sparkling harbor. To clarify, Charles is the head teacher at my hagwon, and a close personal friend and mentor. He invited Adam, Elaine, Jeff, and myself up to his wedding to his girlfriend Anne, whom I have also had the pleasure of meeting, and who is a very lovely young woman. They've been engaged for a while; I'm just glad the wedding occurred before my contract expired, and I was able to attend. We'd planned in advance to get the bus to Masan on Saturday (the wedding was at 11:00 a.m. on Sunday morning), shop around for some gifts and see whatever sights there were, and then clean up in the morning and don our spiffy duds. Here's what happened. We rode the bus up (a very equable ride compared to the last one, and for only 9,000; they kept the A/C on the whole time, at least), and managed to find a cheap motel with a little creative wandering. It was the Nox Motel, and the price was similar to our usual base of operations in Busan: 35,000 per night. The only difference was, this place was nice compared with what we were used to. It was still, technically, a love motel. There were tissues by the bed, condoms in the top drawer of the nightstand and porn on the TV, but the sleaze ended there. The bathroom was up to scale with anything seen in Motel 6 or Super 8, back in the States, if not better; the bed and room were both clean, bright, spacious, and tastefully outfitted. There wasn't much to speak of in the mini-bar, but hey. So we checked in and immediately sallied forth into downtown Masan to go wedding-present shopping. It was a bit embarrassing: we got into a cab and said we wanted to go to E-Mart. After approximately sixty seconds, we went around a corner and arrived. The cab driver must've been laughing his head off inside as we handed him the fare. Must've been the easiest 2,200 won he'd ever earned. We had more than a little trouble navigating once we were inside the store, even. It was a five-story building, but get this: the main level was just a convenience store. You know, the quick stuff: cleaning supplies, snacks, batteries, all the things that people want to get in and get out with quick. That makes sense to have that on the first floor. But the parking lots were above this level, and the main store (food section, home supply) was below it. Look me in the eye and tell me that's a logical way to run a railroad. I dare you. After our tour of the parking lots, we finally wound up where we needed to be (subterranean) and got straight to shopping. E-Mart is like Homeplus, but generally has more departments, more selection, and is larger in size overall. We didn't meet with much success. As far as useful, tastefully appointed wedding gifts go, E-Mart was skint. The best chance we had was the hoidy-toidy home furnishings section on the second floor, but there wasn't much choice. Adam and Elaine picked up a nice set of chopsticks and soup spoons in a velvet-covered case, and they were set. I got meat on a stick. We then headed to Lotte Mart, with higher hopes. After some similar difficulty locating the main store, which we suffered for a second time despite the eye-opening E-Mart experience, we emerged onto the main shopping floors and had a look-see. Lotte Mart was much bigger than even E-Mart. There was much more selection: sporting goods, electronics, liquor, a grocery store that looked like any major Western supermarket chain we'd ever been in (to the point of inducing nostalgia)...but no hoidy-toidy home furnishings section. We had a look around the proletarian home furnishings section and located some promising potential: a cutlery rack/holder/board (or whatever you call it; one of them wooden things with slots for holding your knives). There were also some wine glasses. We resolved to take note of these discoveries and go nosing around town for anything that might turn up. In the meantime, we looked to our own needs. As you're probably aware, I am (or was) in dire need of a camera since I lost my previous one (a Fujifilm S8000, purchased for three-hundred and twenty-eight thousand won, or about $220, at Homeplus a few months before) on Jirisan. That problem was solved when I spotted a Canon on sale for 169,000. It had a whopping ten megapixels instead of the previous eight, and most of the (important) features of its predecessor. It was also light and infinitely more portable. I was fortunate that it came with a similar package that the Fujifilm did: case, two-gigabyte memory card, recharger, instruction booklets and CDs...all included in the list price. The case, most attractively, is tight and closes securely with Velcro, meaning that I stand a better chance of not "losing" this one... We were getting hungry by this time. We waltzed out of Lotte Mart (pausing to retrieve Adam's backpack from a locker; E-Mart allows you to carry personal bags and packs onto its premises but Lotte Mart is more stringent, and demands that you rent a locker for a hundred won) and into the hazy late afternoon. It was inevitable that we should happen upon a McDonald's. I finally got a chance to try the Shanghai Spicy Chicken Burger, and was not as let down as I thought I'd be. I don't know whether that had anything to do with the quality of the preparation, or whether McDonald's was actually giving a crap about the food it served now, or what. (I will say that I believe Korea is really on the ball as far as fast food goes. Domino's Pizza tastes much better over here than in the U.S., I firmly believe. It makes sense that McDonald's would as well.) Suitably fortified, and having discussed our options thoroughly over greasy fries, Jeff and I elected to return to Lotte Mart and snag the aforementioned gifts we'd noted earlier. That done, we returned to the Nox, dumped our treasures off, and met up with Charles and Anne, who'd arrived in the city before us and completed their wedding preparations. They were anxious to meet up and say hello. They were also tired, run-down, depressed, and physically sick. Their respective employers had worked them to death for the preceding two weeks in light of their impending vacation (bosses are merciless like that over here), and they were so exhausted that their immune systems had packed up and boogied, leaving them diseased and wretched. Poor Anne got to the motel and collapsed (in the room she and Charles rented; they were without accommodation, so we politely informed them about the competitive rates at our place). Charles stuck around with us and drank a little beer. Then we all went out for samgyeopsal in the thriving "new" downtown area, replete with bright causeways, well-lit shops, and respectable-looking food vendors. Charles and Anne ate, then left (at our urging), citing exhaustion and the need for a full night's sleep before tomorrow's festivities. A, E, J, and I hung around for a bit, checking out the sights, and the market. Masan was Charles's hometown; he told us that, 30 years ago, the market we were walking through that evening would have been wall-to-wall with people. You'd have had to shoulder your way through the crowd nonstop from one end of the place to the other. Now it was nearly a ghost town. Those same gigantic superstores we'd passed through earlier that day, E-Mart and Lotte Mart, had snatched away the custom from these small-time merchants in the open air bazaar and relegated them to a sort of shadowy, tourist-trap existence. It was really quite pathetic ("pathetic" here having the meaning of "emotionally provocative," not "pitiful"; well, okay, it was a bit pitiful too). Then we all sat down and had a quiet drink. Or tried to. The first place we went, Billy Western Bar, was way overpriced, despite having enough atmosphere to put Cheers to shame. We went across the street to Beer Mart, and that was better. Shaped and colored like an adobe hacienda on the inside, with faux stucco walls, domed ceilings and exposed rafters, the place had charm. More than that, its imbibing protocol was unique, too: instead of ordering glasses of beer, you went up to the counter, picked out the bottles you wanted (everything from Tiger to Hoegaarden), paid up, took 'em back your table, cracked 'em and drank 'em. It was a rather intimate experience, to be sitting at a comfy table in a comfy seat with a view out the window at the narrow crooked street, sipping comfy cheap beer. We stuck around there for a couple of hours, went and grabbed some mandu (dumplings, remember?) at a stall on the way back, then went back to the hotel to Adam and Elaine's room and sat around and talked. Adam was testing out his new iPod-compatible ghetto blaster (whatever it's called; iSound or something); so we had Kanye West, Curtis Mayfield, Lynyrd Skynyrd and Groove Armada to keep us company as we talked and laughed. We hit the sack at midnight, mindful of an early start the next morning. The next morning proceeded without a hitch. We woke, prepared and were at the wedding plaza, bright-eyed and bushy-tailed (as Adam would've said) at a quarter to eleven or so. I should stop here and explain exactly what a wedding plaza is. Apparently there's no such thing as a "single" wedding in Korea. All of 'em are doubles, or group weddings. They are perhaps not simultaneous, but you can bet there'll be another party moving into the wedding hall after you move out of it, within minutes or seconds. Heck, there was another bride fully dolled out in her gown wandering around besides Anne, that's for dang sure, as well as another set of relatives hanging around the darkened wedding hall across the lobby from ours. Upon spotting Charles, who was cutting a dash in a rather fetching white tuxedo and gloves (and obviously sweating in the sticky heat of springtime Masan and a building that wasn't exactly climate-controlled), we made our way over. We shook hands, congratulated him, and then he promptly thrust the camcorder into my hands. Oh, didn't I tell you? I'd agreed to be the cameraman. I was fairly sweating myself by this time. Agreeing to do the camera work at somebody's wedding is one thing a month or two in advance over beers in that somebody's apartment, but once you actually step into the chapel and take the camera from their hands, the full import of your choice hits you. If I screw this up, I thought to myself, I'll have ruined one of their most precious memories, the start of their life together...or something like that. Nonetheless, I accepted the camcorder and went to work. I got some footage of Charles with his mother, and Anne's rather staid and dignified parents. I also got a lot of footage of Anne, who was sitting in her gorgeous wedding gown in a small room off the main lobby, on display, as it were. Seriously, that's how it was. It was just this closet-sized room, tastefully wallpapered and decorated, in which the bride sat in review and people came up to greet and congratulate her, while the groom ran around attending to all the last-minute crises, an attendant following him around and dabbing at his forehead with a handkerchief. That's Korean custom, apparently. I shot some film of her and her friends, and just got some obscure statements from her about how she was feeling and so on, like I was some kind of half-baked amateur reporter or something. That having been done, the real nerve-wracking stuff began: the ceremony proper. Instead of entering on foot, both bride and groom rode into the hall on a sort of raised trolley-like affair, in appearance almost like a bower, wreathed with flowers and a gate supposedly made to resemble old-fashioned wrought iron (in the European style). It had a smoke machine on it, which was going full blast as bombastic music played on the speakers. Charles and Anne stood straight and solemn as this contraption bore them into the room, traversing one entire wall (tastefully and skilfully painted with some Renaissance-style landscape), bowing occasionally. They then exited (with the help of formally dressed yet feverish attendants who unlatched the faux wrought-iron gates and gathered up Anne's train frantically) and arranged themselves at the end of the aisle. Charles walked down first, bowed first to his mother, then Anne's mother (both of whom were wearing hanbok, traditional Korean formal clothing, and seated on either side of aisle at the very front), then the chaplain, and then waited. Anne and her father then proceeded down the aisle, to the accompaniment of music and applause (similar to Charles's progress), and did a similar amount of bowing. Anne's father joined his wife and Anne joined Charles, and the ceremony proceeded. It was short and sweet. The whole "I now pronounce you man and wife" bit was, needless to say, indiscernible, even despite my five months of Korean lessons. After that, there was applause, Charles and Anne cut the cake, drank wine, and regally exited the hall. ...during all of which I was running around desperately trying to capture it. It was no picnic dashing from one end of the room to the other to maximize my chances at getting the best shots of Charles and Anne as they rode in the trolley, walked up (and down) the aisle, and cut the cake. Matters were complicated (by default) by the official wedding photographer, who was likewise walking about and getting shots; he kept getting in the way of mine. Given the aforementioned gravity of the situation, I also had some difficulty holding my hands steady. I think I did pretty well, though, except for a bit of camera shake and perhaps accidentally deleting the part with the trolley and the first procession down the aisle when I tried to zoom in and instead switched photography modes. (Whoops!) Drenched with sweat, I handed the camera back to Charles and gratefully went with Adam, Elaine and Jeff to snag some eats. The food was delicious, and who ever had ordered the catering had spared no expense. There was tender boiled octopus; real, actual ham; and gimbap and kimchi in plenty, of course, as well as several other delicious dishes I couldn't even identify, both Korean and Chinese in origin. I held myself down to one plate of food. We'd resolved to hit up Meat Home (since renamed Meat Rak), one of our regular haunts, a meat buffet restaurant in Gohyeon, that evening for the last time before my departure from Korea. In the meantime, instead of getting to rest from their incessant labors, Charles and Anne had (per Korean tradition) changed into hanbok of their own and were now meeting and greeting the guests at the dining tables. Charles spared us a few moments to say hello (to our relief, both Charles and Anne looked better, and said as much). When we'd finished eating, we congratulated them once more and left. Within two hours they'd be on the plane to Bali. Maybe there they'll finally get their rest. I hope so. We hit McDonald's once more on the way to the bus stop, of course. (Elaine's not too keen on Meat Home and needed something for herself.) But we did board the bus and survived the ride back (which was even more equable than the ride up, unbelievably; perhaps I've been too hasty in my judgment of buses here). We changed out of our things at our respective apartments. Jeff came over to my place briefly so he could show me the ropes of Hostel World, a nice website devoted to the location and reservation of cheap hostels worldwide; and I gave him a super-compressed 20-minute crash course in Korean. His brain was porridge by the end of it, but I think we made some definite progress. Then Adam, Jeff and I hit up Meat Home and took our best shot at making a Bacon Bomb. (I'm too tired to explain to you what that is; look it up on YouTube.) We were marginally successful, despite a deplorable lack of proper equipment. After two hours of feasting, we parted, eminently satisfied with the weekend's proceedings. It hit me, as Jeff and I walked to Meat Home in the cool, moist evening air, the soft reddish glow of the sun rebounding from the low-hanging cottony clouds, that the curtain was truly closing on my Korean sojourn. I felt regret, be certain of that. But I also felt that I was doing the right thing by getting while the getting was good. I couldn't shake the feeling that re-upping my contract (which I'd seriously considered at one point, and still lightly entertained) would be a mistake. Things would begin to pall for me soon enough. I might as well go before I get tired of it. Still, I got the unshakable feeling that I'd be homesick for this place after I left. That would be a complete turnaround, but I suspect its truth regardless. I'm going to miss going out to Meat Home and having a protein hangover in the morning, or getting invited to weddings in Masan, or having elementary-school kids greeting me at the door of Reading Town with ear-to-ear grins and punches in the gut. It's been magical, to say the least. Still is.